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Thank you! I didn't remove the protection strip yet, as I left myself the option of returning the guitar until now. The bridge not being in the center is actually obvious and I just didn't think about it. I should sleep more. thank you for pointing it out. :-)
Last edited by zirenius; 03-27-2016 at 07:48 AM.
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03-27-2016 07:37 AM
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I felt the same way about the pickup I had on my exl-1dp.
I put a piece of felt under the pickup, moving it closer to the strings and that made a big difference.
And listen to what Para says. He knows what he talking about.
The guitar is a work of art.
Good luck with it.
joe d
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Congratulations on the new guitar! I have an EXL-1 also and was equally impressed with it. The workmanship is high quality and it plays great. I didn't like the Kent Armstrong pickup either. It was too trebly and I couldn't get a balanced tone from it. It may have been wired wrong according to Kent Armstrong. I was going to replace it with a floating humbucker but Guild reissued the famous DeArmond 1000 and 1100 pickups so I tried one. I had a luthier replace the pickup with a DeArmond 1100 and do a setup. The guitar sounds better now, has more personality, balanced tone and
plays easier.
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Originally Posted by Joe DeNisco
Originally Posted by zephyrregent
All I can say is: I am really happy about this purchase. There might be bad ones out there, but this Korean made D'Angelico is really (!) nice.
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@Zirenius The Guild reissue Dearmond 1100 comes with a shorter "stick" than on a "monkey on a stick" assembly and there is no control box. As the pickup is held in place by a notch on the pickguard side, there was no reason to keep the long "stick" so my luthier just used as much of it as needed to attach it to the side of the neck and cut off the extra length. I am using Thomastik flatwound George Benson 12s. The D'Angelico plays easier than my 1951 Epiphone Zephyr Regent that I have been playing since 1970 and I like it better than a couple other guitars I had for awhile over the years (a Guild X150 I bought and an Eastman T145 and Ibanex AF105 that were gifts). My student and friend who has owned many more guitars than I have thinks it is better made than many new Gibson 175s. I was impressed by it and also bought a D'Angelico Style B. EX-59 and EX-DH. The Style B has the same pickup as the EXL-1 but it sounds better. There may have been some issue with the pickup on my EXL-1 but I had it replaced and still didn't like it. Here's a picture of what you get with the Guild reissue pickup.
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i'm with para...hard to clearly evaluate the pickup when the bridge is so far out of line..the strings are no where near the polepieces...you need to move the bridge toward the low E string...center the high and low E strings to the fingerboard...
having said that, those are mia armstrong pups...so kind of generic...i thought of dearmond as well..available from cordoba/guild...but if you want humbucking, look elsewhere...
there's also the zollers...there are handmade armstrongs, lollars etc etc...many choices
but first set the guitar up correctly, and then decide from there...
also help to know what you don't like..ie. too muddy, too bright etc..also what strings you will use on it
cheersLast edited by neatomic; 03-27-2016 at 05:41 PM.
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It's a "new" guitar in need of a "setup." Yes? So don't evaluate its potential before it's been setup. Kind of a prerequisite, yes?
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First of all, thank you for all the accomplished players on here that took the time and effort to reply to my questions. As you might have seen, I have proven to be less than knowledgable about guitar setup, when it comes to archtop guitars.
Originally Posted by neatomic
Still, I don't like the pickup (while the guitar is great acoustically). One reason is that it still can't be balanced correctly. The B-string just sticks out and I can't do any more with the polepieces, as the surrounding pieces are getting dangerously close to the respective strings and the polepiece for the B-string is now almost touching the guitar's top, which can't be good.
I have read on this board that there are quite a number of old pickups that also seemed to have an issue with the B-string being too loud. I am however not willing to leave an unbalancable pickup on this lovely guitar.
I am unsure about the pickup. The guitar is now set up with roundwounds. (generic D'Addario, as far as I can see from the paperwork and feel of the strings) I prefer the feel of flats on an archtop. However, I really like the clarity that these strings give the guitar. So, yet another quest. I seem to remember that the TI George Benson strings gave me the feel of flatwounds, while leaving more of the top end intact. I will do some research on this one today.
After that, I will give the PU another try. The factory PU in my opinion takes too much of the high end away from the guitar. I guess that the PU is trying to grant a muddy and "jazzy" sound. I would however like my Pu to be a lot clearer though and have the option of shaping my tone from there.
Originally Posted by zephyrregent
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To be very clear: I absolutely love this guitar. It is really inspiring acoustically and as long as I practice a little more softly, the pickup does not bother me as much. I would still like to do something about it - IMO, it really does not do the guitar justice at all. To sum up, it is impossible to balance properly and too muddy on the top strings for my taste. i am open about single coil or humbucker. With solidbody electrics, I have always preferred the open sounding end of humbucking pickups. I don't claim to know enough about archtops to rule out that a singlecoil might actually be the best option given my tonal goals for this guitar.
Thank you all very much for participating. I am grateful - even if public stupidity with evaluating a guitar's setup might not have been my strongest moment.
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Some years ago i bought an Excel just like yours and exchanged the pickup with a Bartolini which i much preferred over the original. I believe the originally built in PU was identical with the Kent Armstrong Jazzy Joe.
Recently i mounted a Handwound Kent Armstrong 12 Pole on a similar guitar, a Vestax New Yorker, but was disappointed by the result. The same pickup sounded great on my LeGrand though. I believe a pickup really has to match a guitar's sound character.
And of course its necessary to align the pickup so that the polepieces are under the strings.
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I entirely agree, although my experience in this regard only stems from solidbody electrics. Had a pair of Duncan Seth Lover pickups that did no good in the LP style guitar they came in, but that really shine in another one.
I am still considering my options. All demos I could find of the DeArmond replica really sounded great. It's all exciting new territory and I would very much like to add a real open sound to my palette. I have a couple (literally - two) of guitars that can do slightly wooly humbucker jazz tone. It'd be interesting to have something a lot more airy.
Does anybody who reads this have experiences with the AER J. Smith or Häussel Flat Jazz PU's? Both came to mind, I could not find a lot of demo material though...
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I picked up an EXL-1 in January and love it as well. The guitar comes with D'Addario EJ-21 strings. The best way to adjust that pickup, or most for that matter is to move the entire body of the pickup to the proper distance from the strings, and then adjust the individual pole pieces to get proper string balance. You may need to raise the pick guard which can be accomplished by adding pieces of felt or using a longer tube around the screw.
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They're very nice archtops. As are the Guild's in the same price range, also made in Korea like yours. Lots of pickup options...too many to mention really. Each of us has our own preference. The guitar is a fabulous starter archtop. But, I'd suggest getting used to a properly set up guitar first, establishing a base for what the instrument is capable of before deciding to do a pickup upgrade.
Acoustically, the guitar is not as good, read not in the same league, as a carved instrument...if acoustic volume is what you're truly after you may consider other guitar options. Changing pickups is like changing socks for some here. I think I've done two pickup swaps ever...neither of which really needed it. But we don't know what we don't know until we know it. Good luck!
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if you think the guitar is too muddy with the stock d'addario roundwound strings it only going to get darker with flatwounds...i'd seriously consider the zoller pickup..its a floater that's on the full range or even bright side...used by many pro's
here's thomann info
Shadow AZ48 Tonabnehmer für Jazz-Gitarre
but again take one step at a a time..set it up and adjust for new strings so it sounds good acoustically...then tackle the electronics
its a nice guitar...enjoy
cheers
ps- if you decide against flats, a nice pure nickel roundwound like thomastik or pyramid would be fineLast edited by neatomic; 03-28-2016 at 04:11 PM. Reason: sp-
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Thank you for the advice. To be more precise - I am not saying that the guitar is too muddy with the d'Addarios in itself. I think that the pickup is contributing to it. I am aware that I might be changing too many valuables at once. So I think that trying out a nice set of flats and seeing what it does to the unamplified tone and then adding a pickup that supports this tone might be the best route atm. As I said, I love the feel of flatwounds when playing and I think that I remember the TI GBs to have a characteristic flatwound feel with less muddiness than other competitors.
I will start with a set of TI Swings that I have lying around. It's free to try and I might just revert to roundwounds after that. Thanx for reading my thinking out loud, though.
Have a nice day,
Sebastian
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Originally Posted by zirenius
If you pick up the guitar to play and you go "aaahhhh," then it's the right guitar. So enjoy your nice new axe and ignore us grumps bugged by the name issue. The name is being used legally and so what. If you really want some GAS, go listen to Joe DeNisco's real 80+ year old D'Angelico on YouTube. Nothing else sounds like that; those things are the holy grails of jazz guitars. Your guitar won't sound like it and neither will mine.
As far as the string balance goes- if you haven't removed the protector strip under the bridge, do so. It will change the tone. Also, consider restringing the guitar. That can make a huge difference. I find that the unwound string next to the wound ones- whether the B or G, depending on the string set, is always disproportionally loud. I think some of that is not volume but the contrast in tone.
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Very helpful, thank you! I get why some people might be preoccupied with the brand name and it's non-existent direct relation to the legend of archtop guitar making. I myself don't find it troubling, as the guitars are otherwise very clearly labelled as "made in Korea". Anyhow, yep, I just clicked with this one and I really like the upside of being able to take it out without worrying about a year's salary worth of money being at risk.
I have never had the fortune to touch one of the originals or even hear it in person. At 29 years of age, I am however still optimistic that I might get the chance one day. And yeah, I am prone to GAS, so... you are most likely right.
Bridge set up, protection of course removed. I will try different strings tonight (unwound g-String) and see. I'll probably give it some time before settling on whether or not the PU will be replaced. Thanx for clarifying the relation between balance and wound strings, I will watch that!
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I decided that I'll likely sell my Ibanez AF151f. It's beautiful. Just wanted a deeper and wider body, plus always wanted to own a D'Angelico. I opened it up at the GCenter in Pasadena, Ca. 1 hr ago.
First thing (which is not a real biggy) the fingerboard is a brownish ebony, not jet black the way most of us want it to be (Same situ with my Cordoba C10 !). Next, I guess it's OK, as 2 others in the store have the exact same situ: The floater pickup is no more than, if not less than 1/16" above the soundboard. And though it looks like a piece of felt between it and the board (very very hard to determine) I believe what I am seeing is the bracket under it which connects it to under the pickguard. The 2 others in store have very same tolerances. So I imagine that's correct too. Finally, and now I can even see it in the GCenter ad, there is a 1 3/4" x 3 thirty second inch notch in the left side of the neck right below the 23-24th frets. This looks like a trough for a different mounting pickup (where its bracket would be mounted in it [like my Ibanez]). Again, no biggy.
In conclusion it looks as if all EXL-1s have the very same 'oddities'. Before I left the store I had the repair gal there make sure the bridge was in the right place and if there is any buzzing. Were none throughout entire fingerboard ! And no one would want the action any lower than what it's fixed with already. That's a huge plus !
I am going home now and play her a long time and see if I start to bond with her. Dang that brownish ebony. But if it's really irritating, the nice thing about GCenter is their easy going return policy...
Any comments/comparisons thus far are very welcome. I'll report back in a couple days...MLast edited by MarkInLA; 04-29-2016 at 12:25 AM.
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Ebony can be darkened. Dr Ducks Axe Wax will darken it a bit, or StewMac and LMII sell fingerboard dye. Enjoy the D'Angelico, those are really nice guitars. If the pickup is not close enough to the strings you can add more felt pads beneath the pickup.
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Originally Posted by MarkInLA
I remember the 1st time I saw the Korean made D'A replica in Guitar Center. I felt the same way. I always wanted to own a D'Angelico. The lines of the guitar, the headstock, The big pickguard and tailpiece almost put me in a trance.
Let me warn you.. This is exactly how it starts.
Most sane people can be happy with a D'A replica for a lifetime. Something about the aura of a D'Angelico eventually makes you loose your sanity. When you see your 1st real D'A, you will think, yeah mine looks just like that. Then time will go by. And one day, you will get to put a real one in your hands. You will notice how substantial the real ones are, yet how balanced, lightweight and perfect in your hands they are. You will strum the open strings and THAT is when Dracula bites you. You are done. You start thinking crazy things.. Like how much can I can I get for one testicle? Do I really need two? You start looking at your kids and you say, "They are pretty valueable, I can always make another one".. You take inventory of all the TV's in your house and you rationalize selling 4 of them because you realize that you can only watch one at a time.. Blood banks are also a good source of extra income..
In the coming years, keep checking your neck. If you see 2 little holes, get ready for eternal life..
All kidding aside (sorry I tend to do that a lot), Enjoy your guitar. They are beautiful and they play great.
Joe D
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Hey Mark, Congrats!!!! I have the same make and model with the same 3 "oddities". I've been gigging mine for a few months now and I can say it just gets better. Enjoy!!!
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Originally Posted by MarkInLA
Ebony is an endangered species and it is now extinct in all but a few countries. Only 1 of about 20 ebony trees cut is black ebony, the rest is brownish/streaked. If we all only accepted black ebony, it would mean 19 endangered trees left in the forest to rot to get just the one tree with the all black wood.
Last edited by oldane; 04-29-2016 at 09:52 AM.
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I agree with Joe, the repro DA's are extremely well made, and a real value FAR beyond their price... That said I played an original and I actually considered a mortgage on my house to get it.
Thankfully it sold surprisingly fast and I still get to live in my house for free :-)
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Congratulations on the new EXL-1! I have one also and it has the same 3 things you mentioned. I replaced the pickup with a Guild reissue DeArmond 1100 and the luthier had to shorten the "stick" (or "twig" in the case of the reissues) of the "Monkey on a Stick" because of the indentation or notch on the side of the neck below the 19th fret. No problem though and it looks fine. As Joe said, watch out, they are addictive! I wound up getting a Style B, EX-59 and EX-DH also after the EXL-1. They're very well made guitars and I also like to look at them as art. Enjoy!
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Hi. Just meant to say thanks for all the great replies. Yes, it is a beautiful guitar for a repro. Not exactly sure what a couple of you meant, making a comparison to an authentic original one. Sounded like you meant we'll love the Korean one as long as we don't later on pick up a real, say, 1950s one; that that's when we begin to have regrets about our Korean one; which is quite understandable, if that is what you're saying.
I will say, the pickup contacting the soundboard is a big downer for me..The ads say 'floating'. Sorry, but it isn't.. There's no excuse whatsoever for issuing these guitars this way. Dollars to donuts any authentic vintage D'Ang model does not do this. What they should do is utilize that 19th fret bracket slot and change to a pickup which mounts onto that slot..And, for $1,300.00 I/we should not have to pay for a replacement pickup and its installation..in order to have a real floater...
The fingerboard and frets are exquisite..the binding and craftsmanship are A1..The Grovers are smooth and accurate along with a nice gear ratio. The extra 2 frets to D is a nice change of pace. The saddle having the graduations on top and the tailpiece stair-stepped make for excellent intonation.
Now I have to decide to stick with her (versus a 45 day return policy) or stick with my Ibanez AF151f (which does have a true floating-pickup).. Yeah, I know, I'm fickle.... M
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The De'Armond floating pickups used in the 50s often contacted the top plate of the guitar. They came with felt on the back of the pickup for that reason. Unless there is a buzz from the contact, it's no big deal from a pragmatic perspective.
Aria EA-650 pickguard question
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