For the organ trio (Funk-Jazz) it has to be a hollowbody – I use either my Ibanez GB10 or Gibson ES 330. Looking forward to bring my newly acquired GB200 into the circulation when gigging starts again. All these are strung with .012 flatwounds for the punchy tone. For anything else (Funk, Blues, Rockabilly) I prefer a telecaster – mostly my two homegrown telecasters made from parts - strung with .010 roundwounds for the twangy riffs.
For daily practicing and occasional gigs, my 74 Gibson Johnny Smith and 98 Wes Mo, depending on the gig. The last couple of days, it's been my 68 L7c. Been using that one to teach with as well because its light and loud enough so doesn't need amp.
I like to use different guitars depending upon what I am working on.
Well it has been years since I played for anyone but me. My wife comes from a rock and roll background and her criticism of my inability to play the hits of her day made me give up for years, then I thought, F** it, I am doing this for me. Mainly these days I play an Ibanez SJ300, good solid acoustic response, works well with either the Yamaha or Line 6 amps. But then sometimes I pull out the Eastrman AR371CE, a good guitar but needs a great setup, then again I might grab the Eastman AR503CE and when I do I really wonder why I have not had it fully set up. Light, responsive and with a great acoustic voice.
The problem is that I am a really bad musician, only capable of producing good music when teamed with the "band in my mind"; as long as they are on [imaginary] song all is well.
But doing what I do gives me pleasure and more than anything else it keeps me wanting to start each day by breathing again!
More than this it is one thing that stops my chronic PTSD and depression overwhelming me. I am the last of the "stick" I served with in 78/79 and I still want to keep going for some unknown reason; guitar helps!
I have been playing my Memphis EL300 (Matsumoku) and my Strat and Tele for many months now. However, it's time to rotate the stock, so lately I've been playing the Polytone Improv II that I bought five years back from Hammertone. It's a super guitar and a very worthy replacement for my old Gibson ES-335.
It covers many bases and gets a very warm, jazz tone on the neck pickup through my Polytone Mini Brute II. The guitar currently has 10-46 Ernie Ball rounds on it, which sound great. (Yep, that's Hammertone's chair.)
I've recently gotten more into amp sims so with each one it's like I'm being reintroduced to my guitars, so I like to rotate them to keep that sense of magic and discovery alive. I'm getting the best tones I've ever gotten now and it's very exciting.
That said, it's still the same old elitist Sheraton that it's always been. It just sounds amazing for recording, with so many cool tones in there. It's what a guitar sounds and feels like to me.
Also extremely popular these days is a newcomer: the yairi dym60hd. Red spruce over 50 year old Honduran mahogany. It's very, very special. It might just become the #1 acoustic, which is really saying something. Songs just pour out of the thing; I come up with another new doodle almost everytime I pick it up.
Dave, what are the JS 113s that you keep mentioning? I don't know what the JS stands for. I did follow Ron Eschete's example and try a 70 Boomer GHS roundwound and it's a whole new world. Instead of...
Dave, hi again. You mentioned in your message a recording where you compared a Blu to the Superblock. But the clip in your post only has the Superblock. Is that other recording still available? Is...
Dave, just saw this. Wow what a nice guitar. I bought one on eBay about 10 years ago, same finish as yours. And then two years ago I bought a natural one from Lou. The first one had an inset...
Not sure how many forum members use plugins for practicing or with DAW recordings, but those who do may be interested. Neural DPS is having a 50% sale on plugins for another 9 days. I bought the...
They usually have nice 3-color sunburst. I considered that model years ago but then I read something about the neck of early ’60s ES-175s and gave up the idea.
But was it something about them...
Very interesting post scgim.My question is who is buying tickets to see that sham.I remember last year there was a Yardbirds tour which only had the drummer from the original band.Better off and...
I usually give the ends of the wrapped strings a squeeze with the flat inside of a long nose pliers. They will fit the Gibson finger tail piece. You won’t have a easy time finding a different nickel...
I haven’t played the benson strings in years but I recall they’re like swings with higher tension (thicker gauges). I have mostly come to dislike flatwound strings but I recently tried dogal...
If i understand you correctly,you want a flatwound string like the Bensons that feel the same without the silk wrap.If this is the case then i don't think you will find a comparable one you like i'm...
I had a set of TI Benson 12's. They were the best set of strings I ever owned. Took about a month to break in, after that they kept their tone and tension for three years. (Sold the guitar.) The only...
Neural DSP plugin 50% sale... Tone King Imperial...
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