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For obvious reasons many compare the L-4 to the 175, I tend to think that the L-4 may compare more favorably to a 575 Custom, anyone have a perspective?
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09-07-2016 11:01 AM
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Originally Posted by ESCC
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After all the L-4 talk I pulled my 2009 out last week and haven't put away since. I had been a while since I played it but I am always amazed how lucky I am to own one. I think you will enjoy the guitar and I am looking forward to you review.
Thanks John
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Originally Posted by ESCC
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i started with a 175 - gigged that for maybe three years
sold it to get an L4 which i played for another three years or so
i was so thrilled with it
the 175 was my first proper (break the bank) guitar (i've never been able to afford my guitars - there's always been a serious element of insanity about getting them. i bet that's true of a lot of us.)
all my heroes played it - etc. etc.
but i wanted something thicker and fatter and warmer and less cutting
and the L4 delivered that in spades
now i need the cut of the 175 sound - and i think the L4 might not work for me at all
if there is a guitar in the world that is more - LUSH - than the L4, i don't know what it is
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Originally Posted by silverfoxx
Oh wait a sec...you're on a GJS journey...disregard!
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Never having had a Gibson hollowbody git made of anything but maple left me wondering what the differences between maple and mahogany or another wood will be.
By chance two Ibanez models made of laminated mahogany became available at a really reasonable price point and I bought them both.
They turned out to sound so different than my other two maple laminated models it left me wanting an "extended" try out period with an L4-CES... Someday... maybe.
In an old post here a user had an expression they use in his country and translated it:
"who buys cheap stuff, buys twice."
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Oh yes, my L-4CES was "my" break the bank guitar. I felt guilty for more than a couple of months but I am for sure over that now!
Thanks John
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Originally Posted by GNAPPI
I've often found guitars of the same manufacturer and wood type sound different. I'd say every Golden Eagle I've owned had a different sound. Only the Super Eagles were more consistent.
I found my first L5CES was much different than the last two. The first had the "it" factor. So much so that the first spoiled me against the latter two guitars...they were like "meh."
I'm thinking no two guitars sound alike. And where Gibson is concerned I'm thinking the Tal Farlow is the true champ for its used price and performance availability. The TF has "it!"
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The L4CES and Tal Farlow. All you really need.
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My final L4CES. I said that when I bought the version with Maple back and sides. Oh well, that's how it goes. Time for an a/b session.
Last edited by 2bornot2bop; 11-04-2016 at 10:22 PM.
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What year? Signed by Jim Hutchins?
Thanks!
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'09. Not this one. The '06 Maple back is a Hutchins
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Amazing condition. There isn't a centre seam in the Mahogany back. I like the reddidh-brown tint. The photography is not to your usual high standards.
Is that a reflection of something long snaking across your ceiling because I see a long squiggle in the lower bout of the backside? Or is it, , a long lacquer check?
What's the matter with these L-4CESs that they always look immaculate and unplayed?
Great guitar! Congrats!
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The L4CES is so right. The most Symmetrical guitar design ever along with premium appointments. Vinny says the Mahogany back makes the most perfect sounding guitar. Every string is evenly balanced with perfect warmth. I cant wait to see what you do with those guitars. They are not just pictures. They can be "Vargas" type art.
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I have been watching that L-4CES. I believe the sellar picked that up from a collector along with a few other guitars that were absolutely stunning and very well priced.
Well done 2bop.
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I love mine and will die with it in my hands. Gibson's best kept secret. Hard to play a 175 after playing the L4CES. Like comparing a ball bearing and a rock. Congrats Greg though no pics to see. Mine has angels dwelling inside of it.
They have a sound of their own. Not like a L5 or 175. A sweeter tone. Angelic sounding. Tal's and L4's !
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Congratulations, 'hog & spruce are a combination that's been tempting me for a long, long time.
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Vinny has summed it up perfectly, the only similarity
with a 175 is the shape. Foolishly I exchanged mine
for another . unfortunately they are not plentiful here
i have GAS for another which I'm fighting against, 'tho
finding one in the same condition as Vinny's would be
a challenge this side of the pond. The Wine Red and
rarer Ebony finish has great appeal. Their tone is
something else.
Congrats 2b on your NGD , if you can repost pics
Others and I would love to see it.
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Originally Posted by vinnyv1k
I have inquired about buying pretty much every one of Vinny's guitars and he would reluctantly part with just about every one of them at a price less than what he paid. However, when I asked him about his L4CES, he said, "yeah I'll send it to you, but id rather not lose money on it, because I ll never get another one like it. So your price would be.." I think it was like $8,000 or something ridiculous. (insert sinster laugh). Bottom line, Vinny would sell it, but kicking and screaming and only if I was STUPID enough to pay twice the going rate.
I re-iterate, that is ONLY guitar Vinny wouldn't sell to me at a lose.. And, I've only bought the Tal and the Solid Formed from Vinny, both at well below what he paid for them..
Vin, surely you mean the L4 is the Rock and the 175 is the ball bearing, right?? Kidding.
JDLast edited by Max405; 11-04-2016 at 09:01 PM.
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I have a mahogany/spruce archtop of a much more modest pedigree, an Eastman, which I love dearly. What makes that combination of woods special? Jim Soloway said in another thread it was one of his favorites, and other builders seem to like it too.
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Mahog is famous for bringing a characteristic mellow tone (more middle ends) when used for back & sides of guitars. It's even more obvious if you try flatop made out of mahog as compared to rosewood. Some call it 'woody tone' or 'jazz tone' too.
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Thanks Jabs,
That is on my radar already. I am watching like the proverbial vulture
preferably for the Wine Red version , mint cond,. The natural finish in
Mairants is similar to my 2008. which I only recently moved on, to my
regret.
Your previous occupation I guess ,was a master sleuth with an
encyclopaedic knowledge.
Hope all's well my friendLast edited by silverfoxx; 11-04-2016 at 05:46 PM.
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I played a 1989 (I think) L-4CES last week at la Vonne's music. It had a laminated mahogany back and sides and was signed off by Hutch. It seemed a bit lighter than my 2009 carved back and possibly was brighter too. I had been playing my L-4 the evening before so I thought it was a fair comparison. It is a well played guitar as it showed the good kind of wear. They have several other archtops including a L-5 and a 1945 Eppi among others.
Thanks John
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Still have my '88 L4CES .... I've thought about selling it a few times
But then I pull it out to shine it up ... and it just sounds too good to let go
2B
Goo luck with your NGD
Another way to look at the fingerboard
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