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It's a Hiscox Pro-II-Gj, Jabber.
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02-24-2018 07:38 PM
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Originally Posted by Rob MacKillop
cool!! great specs...the all solid maple back and sides..and maple neck..with the ebony fb, etc..really make it snap! such a large voice
an 18" isn't always the loudest guitar around...the big box pushes out a lot of low end, that doesn't necessarily always translate to volume...why little parlor type guitars can be so loud..because they are all midrange!! straight boom
but the design of robs guitar along with the bosset strings really make for a full, but loud and clear tone...i.e. beautiful..
and of course the player!!
cheers
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Truly amazing. I don’t see a mic. How is that being recorded? Am I somehow not seeing a pickup? If so what kind?
Sent from my iPhone using Tapatalk Pro
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No pickup. This guitar was intended and designed from Day 1 to be fully acoustic. I'm definitely an acoustic player, and my technique does not cross over very successfully to electric. So, there is a mic (Rode NT4 stereo) about twenty-four inches from the lower bout.
Mic placement is something I haven't had time to experiment with, and it can radically change the sound. But what I hear in this video is very close to how it sounds in the room.
Neatomic - cheers. It could be louder than it is, with a higher action and heavier strings. But life's difficult enough already!
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Originally Posted by Rob MacKillop
Thanks
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Done. Both 18". I'll ask Frans where he got the case.
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Originally Posted by Rob MacKillop
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Regarding the case, Frans tells me it is the 17" model, which he has doctored. I'm surprised, as there is still padding at the edges. Seems absolutely fine to me, and you can't see that it has been worked on.
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Originally Posted by Rob MacKillop
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Almost certainly. It's not a problem for me, as my gigging days are behind me.
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That really is the nicest, most pleasing tone that I have ever heard come out of an acoustic archtop (at least online). It really is. It takes a special instrument played by a special player. Congratulations to Frans and to you, Rob.
dave
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I seem to recall a new guitar day some time back. So let us in on your secret. How do you get them past the wife? Nice playing as always and congrats on a great guitar. I have a Peerless Cremona that I love but after seeing your vid I may have to make room for one more. (hence the wife question). Good luck and enjoy the ride. Cheers!
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Hi Rob, nice playing! I'm gonna be controversial about the guitar this guitar sounds too good to me in a way - I'm a fan of vintage acoustic archtops because of their often short sustain, mid-rangy frequency response, etc. (e.g. Epi Triumph) - this is what makes them interesting to me.
Your new guitar sounds nothing like that - long sustain, nice tonal balance, with closed eyes someone would easily say that it sounds like a flattop and there is the question - why not get one, if looking for a similar sound. In my opinion such an archtop will always be a bit of a flattop wannabe and though it sounds like one, I would say that a 1500$ Larrivee will sound better in many ways (longer sustain, more ring, fuller bass etc.).
That's just me but isn't that a very expensive archtop made by a great luthier, which comes just close to a average flattop sound? :-)
Jakub
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I suspect, @jzjazz, that if you were in the same room you would never think that guitar sounded like an average Larrivee. Perhaps... I'm not in the room. I can't say for certain. But I can say that whenever I've played a GOOD acoustic archtop and then picked up a flat top, the flat top sounds muffled and uninspired by comparison. The difference is like someone stuffed the archtop with socks and called it a Martin.*
I don't think that carries over in a recording, especially not without a direct comparison. It is very very hard to make an archtop that retains that massive presence AND has a full rich acoustic sound. It is much easier to make a cutting archtop that sounds big but harsh. Likewise is very hard to make a flat top with that kind of presence. It is easy to make a flat top that sounds loud but indistinct and thin. Larrivee comes to mind. Really hard to make a flat top that is a cannon AND retains balance and clarity. That too will likely come from an expensive boutique luthier.
Rob, I suspect, has owned and played many flat top guitars for many decades. I'm sure he can tell you why this is no Taylor, Laravee, Seagull, etc.
*No disrespect to Martins. I am a big Martin fanboy, despite the obvious hypocrisy of teasing the resident Gibson fanboys.
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DaveLeeNC - glad you like it. Thanks for the comment!
Al Br - no secret: I have to sell in order to buy. I sold a cello, a banjo, and a guitar. Three in, two out. Keeps the boss happy!
Jzjazz - I have a Taylor 322e, which is currently cowering in a corner, scared to come out. Poor thing. There is a big difference. I appreciate your comment, though, and understand where you are coming from. The Elferink can sing sweetly, for sure, but it also has a terrific bark ready to call on at any moment. That's something I can't get out of a flat top. It was never intended to be a recreation of the early parallel-braced canons, or a flat top, and I'm delighted how it turned out, and judging from the previous comments others like it too. That said, you can only please some of the people some of the time, so I'm particularly pleased that you spoke your mind, and I thank you for your honesty.
Rirhett - thanks for your excellent comments!
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Originally Posted by Rob MacKillop
Jakub
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Thanks, Jakub. I hope you have your dream guitar too. Everybody should.
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Originally Posted by Rob MacKillop
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Wow, I look forward to that! Are you sure a tele wouldn't be a better choice? Only kidding!
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Beautiful baby there! I ordered a G&L a few years back, and they would post photos on their site while it was being built.
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Originally Posted by Rob MacKillop
I have 3 Teles.
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Good for you! Beautiful guitar! You sound great! Congrats!
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Thank you!
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Oh ! New video besides the NGD one ! (well, new for me at least, 26th feb.)
Villa-Lobos ... nice eclectic repertoire, as always !
Confirmation from the 1st video, the top strings sound really good. No harshness and full body.
This guitar is definitely wonderful. Such a balanced sound.
And of course, the playing !
... Downstrokes, downstrokes ... (which is for me a kind of discovery, as stupid as it might sound,
since i seldom use a pick. I was until recently squarely thinking that "all downstrokes" is a poor technique and i discarded too hastily this "naive technique" -as ChristianM77 would say- though it sure yields the best sound.Last edited by xuoham; 03-04-2018 at 02:24 AM.
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Originally Posted by Rob MacKillop
cheers
Aria EA-650 pickguard question
Today, 02:38 PM in Guitar, Amps & Gizmos