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That one is a beauty! Congratulations!
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10-04-2016 12:51 PM
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Billy Bean shall not be overlooked when it comes to bebop chops, he had monster chops and is worth digging
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Originally Posted by vinlander
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Joe, it wasn't personal. I can only imagine you and Patrick didn't have the experience with each other at the time of the transaction. Had Patrick began counting that money a second time in my presence I'd have snatched it from his hands, snapped the bills on his forehead while saying "Marine if you count that money one more time I'm going to put you in a headlock and honk your nose until you say Navy." We'd have shared a laugh and that would have been the end of it.
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Originally Posted by 2bornot2bop
Patrick was a trip.
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Joe, every single one of us has done things, said things, posted things that we shouldn't have. And we all know regret. I didn't know him personally, but I would bet it all that Patrick did, too. Play one just for him, to him, and tell him everything you have to say. And keep on playing until you get it all out. That song will get sweeter, and it will resonate with many more than Patrick, because we all know that song.
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Wow, Joe. That is a beauty of a guitar. I am listening to your clips as I write this and it certainly sounds like you found your perfect partner in crime with that Gibson. Enjoy the heck out of it!
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Originally Posted by aboutIt
JD
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Man, I about busted my gut reading that
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Wow. What a beauty. Got my juices flowing.
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Thanks Fred.
JD
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Originally Posted by artdecade
I played the Heritage a little last night. I just might be able to drift back and forth between the Gibson and the Heritage. I will admit, its kinda cool to own both.
Im trying to figure out which one sounds better with a drop D tuning. Maybe I can leave one Standard and the other Drop D.
That would be ridiculous..
JD
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Originally Posted by vinnyv1k
It really is amazing how much the blues influenced those guys. The half step transitions that he throws in really fit the progressions very well. I don't do that, at all. I think I listened to WAAAAYYY too much Al DiMeola when I was developing. I have his runs etched into my head. What I need to do is loop a 25 song compilation of GG, Tal, JimmyR, Herb and Wes, and fall asleep with the headphones on. Do that for a week. Then it will all come naturally.
JD
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Originally Posted by Joe DeNisco
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Jim Hall.
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Originally Posted by Joe DeNisco
As long as we're throwing in names, I think you should get some Barney Kessel in the mix. He could bop with the best and then he could also do amazing arrangements of vocal classics like he did for Julie London.
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Originally Posted by Joe DeNisco
I understand those of you who prefer flats on an acoustic electric archtop...When the HJS arrived last week I installed flats to hear what the fuss was about...I'm not feeling it personally....an acoustic electric needs to be driven with a string other than flats to my ear. I'm playing for my own personal enjoyment so string noise is really a non issue.
Excuse me while I go cut off a pair of week old $23 strings
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Originally Posted by 2bornot2bop
don't cut, unwind and save if the length jives w/another guitar
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Originally Posted by wintermoon
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Originally Posted by wintermoon
But I did unwind them and set them aside in the event of a string break.
The previous owner forwarded 3 sets of DR 80/20 bronze wounds...so I decided to sample my first set of 80/20's on the HJSLast edited by 2bornot2bop; 10-05-2016 at 04:12 PM.
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Cant be wastin those TI's bro..
That's like gold around here..
JD
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Originally Posted by Joe DeNisco
JD I'd be curious to hear the GJS recorded with TI Bebop's of your choice. I find acoustic electrics sound richer with the TI Bebop's.
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Congrats Joe! I really like your tone and playing and this guitar seems to be the peanut butter to your jelly. You deserve it.
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Originally Posted by 2bornot2bop
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Originally Posted by medblues
Originally Posted by kid335
Originally Posted by 2bornot2bop
I will try them, I promise.
JD
Cheap floating humbuckers
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