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Amazing, great job!
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05-28-2017 08:39 AM
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Wow, jazzmus, that´s neat one! The vintage apparel of the print IS very cool!
Now we have a situation where the Polytone simulations are the hottest word in the pedal market!
Are You going to keep this just for Yourself or do You have an order list already? If a sound/vid clip assures the Polytone fans You could have some clients...Last edited by Herbie; 05-28-2017 at 11:01 AM.
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Originally Posted by Herbie
After first cloning a complete MB amp i didnt see a need to build the pedal, i had a long list of stuff to build first but when my to do list got shallow i decided to look into it. I already had a complete pre amp in a chassis finished for 2nd amp build, hooked that up to a breadboard, i knew a wanted to add the highpass (great idea from Jorge to incooperate - into any effect or amp intended for jazz use), i had also already planned the edge control for my next amp build, so i build and tweaked the filter first, further added the "edge" circuit, i then discovered that it worked great even shaping the sound going straight into my old original polytone, everytime i played without it in my practice room i soon enough found myself moving to the workspace playing thru the breadboard - figured it was time to just get the boards done and box it so i did.
No order list as of yet, im contemplating on a prober setup but anyone interested already are welcome to get in touch. (im in europe)
Edit: by the way Herbie, it is not even a simulation, swap a original Polytone MB pre amp for this pedal/circuit into the power amp and it will sound... just like before.Last edited by jazzmus; 09-18-2017 at 06:05 PM.
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I think the graphics look great, as is.
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This is extremely cool.
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I like what I'm hearing. To people who have the pedal and can make critical assessments: how does the substitution of the RC4739 or RC4558 Op Amp chips in the old Polytone preamp circuits with the pedal's LM351n chips sound in the room?
You know, the old "739" and "4558" chips were notoriously trashy op amps. Many people think that they contributed to some of the grittiness in the old 70s/80s Polytone amps.
Obviously, it would appear that the tone and control of the tone is present in the new pedal. However, how about the obvious lack of sterility that the Polytone exuded? Is that there, too, in the pedal?
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In my experience, no. I'm using OPA2134, and the pedal has higher fidelity than a Polytone. I like that, personally.
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Originally Posted by Greentone
Jorge and his posh ic´s;-) Kidding aside, Jorge is right, the 2134 has higher fidelity, personally i prefer the opposite, with the 4558 it gets a little dirtier, not by any means anything close to clipping/overdrive dirty but the "noisier" ic makes for this rounded crispy sparkly "omph" when your pick the notes, the differences are subtle but imho present, changes in noise level as in terms of hiss is nothing noticable but yes, the 2134 for sure sounds cleaner overall. Im waiting for parts to box more pedals and will offer more response, A/B a 2134 and 4558 + a few more. I deliberatly used carbon film resistors for my first build (as i did in my amp clone), next will be metal film, i suspect the "noisy" resistors and trashy ic´s will sound the most warm (or the least hifi).Last edited by jazzmus; 07-06-2017 at 08:35 AM.
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I would have expected that from the 351 op amp chips. They are patently better op amps. The 4558 chips were garbage, i.e., hissy and plenty of harmonic distortion. I can't say much about the older, still, 4739 chips. They were long obsolete by the time I started fooling with Polytone repairs. If one went bad in an old 70s Polytone, we'd deadbug a 4558 on top with jumpers. (Ugly but a solid repair.) I have seen 14-pin chips labelled 4739 for sale from China, but I cannot vouch for them--never having ordered them or worked with them. So far as I know, the "39" has been out of production for years and years.
Still, some players swear that the cleaner, quieter MiniBrute of the 21st Century (without the Sonic Circuit in play) is less, hmm?, "Polytone" sounding than the older ones. Some folks attribute this to the chipset.
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Originally Posted by Greentone
Never played a post 80´s diamond tolex i liked, for a period we rehearsed at a conservatory, the had mega brutes and sonic circuit 12" MB´s, i sincerely disliked the sonic MB´s but the Mega was just as much a joy to play as my 80´s MB (160W 12", diamond tolex, no reverb). Besides my clone i currently have a late 70´s MB, 15", i bought it for hands on reference when i decided to build a clone, im not that big a fan of the 15 but now, playing my pedal into it, im starting to appreciate it more than expected, it will luxury to soon split my signal and have the 8" and 15" running, plenty of sound there.Last edited by jazzmus; 05-31-2017 at 03:14 PM.
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OK, so a couple of weeks ago I caved in and contacted Jazzmus, asking him if I could place an order for his Polytone pedal, and less than two weeks later I am the happy owner of a Brute eq. So far I’ve only been testing it in front of my Clarus amp with a Raezer’s Edge 10” cab – which in itself isn’t too far off from Polytone territory, but WOW! Jazzmus isn’t kidding when he says that this is the Polytone sound you get, and not just an emulation of it. I don’t have a Polytone amp in front of me to compare with, but I played one for many years and the sound is unmistakable.
Jazzmus basically built mine to the same specs as his prototype described in post #337 above. I was able to choose between two op amps – also discussed in this thread – and went for the less clean-sounding. First of all, I’m already covered when it comes to hi-fi reproduction, and to me, the ideal Polytone-sound involves a bit of hair/aggressive boost of the mid frequencies.
Jazzmus has already described the features in his pedal above, but I might add that the Bright switch with two settings (Normal and Polytone Bright – you don’t miss the Dark setting!) works great, and together with the Edge switch (which is ever so subtle) it gives you plenty of options. (So far, my preferred setting has been with the Bright switch set to Normal + Edge engaged + the gain cranked up…)
Like other good eq’s it really adds an extra dimension to your sound – you tend not to notice it until you switch it off. But it has made me think (again) about what it is about Polytone that is so special. Funny thing is, I have used eq in front of my amp (SansAmp Paradriver) for a long time, and I often end up cutting certain mid frequencies that tend to be honky or harsh-sounding, but with Polytone it is the mid frequencies you’re after. Difficult to explain, but Polytones do something musically to the mids that other amps cannot seem to do.
Anyway, these are my first impressions. Unfortunately I’ll be away/busy over the next couple of weeks, but I’ll try to fiddle a bit more with the setup once I get the time. In the meantime, big thumbs up for Jazzmus and his pedal: He knows what he’s doing – and is a cool guy! I’m sure he’ll be happy to chime in, if you should be interested or have any questions.Last edited by Nils; 06-21-2017 at 09:37 AM.
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Glad to see more people are enjoying this pedal!
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Originally Posted by eblydian
It seems very light indeed - just 397g!
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Originally Posted by jorgemg1984
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I was finally able to see the video, really glad you liked the pedal!
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Originally Posted by jorgemg1984
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I've been trying out the new pedal through the fx loop with vocals and with a nylon Ovation, which I intend to use tonight (solo gig at a swanky hotel - bit more nervous than usual).
I think the pedal adds warmth and presence to both. I've attached the rough sample I managed to record in Audacity:Last edited by destinytot; 07-04-2017 at 12:32 PM.
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The sound was fabulous (loud, live on the gig); the pedal's high-pass filter is a godsend.
Last edited by destinytot; 07-06-2017 at 08:12 AM.
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My Polytone Pedal arrived today, taken in by my neighbour, I got home
at around 8pm, plugged into my Mambo, simple to operate, and quite
pleased with it, I shall experiment more in the next day or two with other amps,
I must say a big thank you to Rasmus for building and sending the pedal from
Denmark so quickly. This has been a joint effort over the years I think from the
germ of an idea from Jorgemg1984, and developed further by Rasmus and I suspect ,
the contribution of input from Franz1997 ( if I've got this wrong I apologise ).
Thanks also to Mike, (Destinytot) for simplifying the setup procedure for those
of us who have difficulty in telling our elbow from our derriere
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Originally Posted by silverfoxx
I suppose his agent booked him on the World Tour and he is now playing in the Hollywood Bowl instead of soldering in his garage...
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Originally Posted by silverfoxx
I would like to add the original forum member who started all this, Insufferable Rhythm. He doesn't post around here anymore, but he was the one who sent me the original files. Him and Chris (Franz 1997) were (are) immensely generous since I joined here, sharing their vast knowledge with pleasure and kindness.
Fortunately I don't have the ability to build amps or pedals, otherwise, I would probably lose focus from the music. But Rasmus (jazzmus) has that ability and has made my idea come to life! I just hope this thread keeps alive for a long time.
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I have an old peavy bass amp as y only amp at the moment. I would like to get this pedal. A guitar pedal that a jazz player can appreciate.
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Just curious about how owners feel about the pedal and if it ever developed further?
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Great pedal; it does for humbuckers what the Jr Barnyard does for single coils in adding colour and articulation to neutral amps.
Strings comparable to TI Bensons without the...
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