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Late to the thread, and it may have already been said...but a 22 fret guitar, with pickup slightly closer to the bridge, gets a tighter sound, with more cut and thickness. Many modern players use these. An ES 175 also gets close to that thicker, more cutting sound.
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06-08-2016 06:08 AM
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Originally Posted by Boneyt
It's a great tone and in my opinion, the polytone really shines when the bright switch is on and the mids/highs are cranked up.
it's a really modern and tight sound and it cuts through a whole band without effort.
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Many cheap pedals out there will do the trick. If you were able to get a Strymon El Capistan it is a delay that has reverb as a secondary function. So if you looking for a all in one set and forget it's great. Lage and Moreno use the El Capistan. Another modern guy with a really wet sound is Gilad Hekselman.
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Jason,
Nice tone. +1
I use the "Brite" switch setting on my Polytone about half of the time. I just get tired of the "playing through a pillow" sound sometimes. Treble at 12 o'clock, Bass at 10 o'clock, switch on brite, Reverb at 9 o'clock (to keep it from sounding either too dry or boinky) and I'm good to go.
_Occasionally,_ a delay pedal (MXR Carbon Copy)--but only once in a blue moon.
Except for Pat Martino, I never found that most jazz guys played all that darkly. Live, Wes Montgomery was pretty bright sounding, to me.
Anyway, I like to hear guitar when I'm playing guitar. If I want something more muffled, I go over to the B3 and play that.
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Originally Posted by Greentone
I always had the impression that Wes kept the tone knob on his L5 at 10 and the "warmth" he got from the guitar was more from that incredible thumb.
notating 7/4 and 4/7 chords
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