View Poll Results: Jazz guitarists do you prefer sold body or hollow body?
- Voters
- 514. You may not vote on this poll
-
I prefer solid body
81 15.76% -
I prefer hollow body
433 84.24%
-
Originally Posted by Norman931
-
06-24-2012 08:17 PM
-
Originally Posted by Klatu
Larry
-
Interesting that in that photo Jim Hal's Les Paul is fitted with a Van Eps feedback damper. I can only think that it is just to prevent open strings from ringing out, since feedback is unlikely to be an issue with jazz combo volumes and a Les Paul. Hall used the Van Eps damper with his 175 for many years; I can't recall if he used it with the D'Aquisto; he doesn't have one on his Sadowski.
-
Originally Posted by Cunamara
-
Originally Posted by Jazz_175
The idea was to dampen the vibrations of the string length between the nut and the fretted note. For my part I have never seen the idea of it in amplified instruments, since the feedback is not much dependent of that length of string. It could be of more relvance on an acoustic guitar if the sympathetic ringing of the that length of string is getting on your nerves. But then I would not use a Van Eps Damper, where it's necessary to drill holes in the headstock til fit it. Anything sqeezed in between the strings and the fretboard at the first fret close to the nut will work just the same way. The original Van Eps damper has been discontinued for decades, but from time to time dampers working the same way has popped up - usually at a high price. They also have disappeared without a trace after some time - likely because you really don't have to pay anything, let alone a high price, or drill holes in your guitar to get the effect. Anything - a rolled piece of kitchen tissue, a short length of shoe string, a small strip of velcro - whatever - put between the strings and the fretboard will do the trick.
-
Hi,
I"m new to Jazz too. I've been playing guitar for the better part of 50 years and just decided I wanted to learn to play jazz style guitar. I'm of the "you need the right tool for every job" school.
So, I have three guitars currently and looking at a couple of others. For Jazz I prefer a full-on hollow body electric. For that I have a Guild Savoy. But I also have a semi-hollow body, a Guild Manhattan which is great for just about anything, including Jazz. And, I have a Martin, HD 35 Dreadnaught acoustic with an acoustic pickup under the bridge.
Since I've been playing dreadnaught size acoustics for most of my life I don't mind the SIZE of the guitar. A big guitar feels natural to me.
I hope to add a Guild Paladin to my collection, another full-size acoustic hollow body for jazz AND I've recently been looking at the low-end Les Pauls, mainly just for fun.
Of the available options, I vote Hollow Body for Jazz. (Though I do love that semi-hollow Manhattan)
-
i have been playing quite a while. I always played hollow bodies. However, due to a shoulder problem, I could no longer play the hollow body comfortably. My sons gifted me a Stratocaster, which I thought would never work, but with a few mods to the guitar, I have achieved a sound that I would not part with. You'd be surprised what those extra pickups can do.
-
Jazzman, can you tell what mods you did to the Strat? New pickups maybe?
-
Yeah Jazzman I hear you. I've got a touch of bursitis (sp?) in my right shoulder but once the guitar is in place and the shoulder is fairly stable it doesn't bother me much.
Glad to hear the raves about the Les Pauls, I've been wanting one for a long time. Of course, my wife will kill me. But maybe I'd live long enough to enjoy it for a few hours.
-
I changed the bridge saddles from the original steel to Graph-Tech saddles. Not being from the whammy bar school, I cut a nice peice of oak and blocked the whammy, making it a hard tail. I installed Schaller tuning machines and that's it. No pickup change. (It'an HSS) I've had people comment that it sounds like a semi-hollow. Wouldn't part with it for the world. LesPauls are good too. Just needthe right setup strings and amp settings.
Last edited by jazzman1021; 12-11-2012 at 05:31 PM.
-
I use the right guitar for the right job For my 30's swing band, I use either my JWC gypsy guitar (w/ Baggs M1A pup), my funky cheapo Washburn HB15C or my Loar 350VS. For my various gypsy groups it's the JWC only. If I'm need some distortion or need to play really loud, or with a darker tone than my other guitars, one of my Teles get's the call (Classic Player Thinline Deluxe w/ WRH pups or Modern Player Thinline Deluxe w/ P90's).
-
Originally Posted by jazzman1021
I took it out of the case for the first time (the shipping box even felt half-empty!), and this has got to be about the lightest guitar I've ever owned or experienced. I love the way it that the smaller 15" body feels when sitting, just really easy to work with, esp. not having to reach over a fuller depth body. Great archtop sound, too (pretty comparable to a full-depth body when amped, IMO), with a nice woody stringiness in the sound I'm really enjoying. Not much depth without plugging in, though (something I would expect, but I'll never play this one unplugged anyway, so no big deal there). In my opinion, this guitar would definitely be pretty easy on a shoulder between the super-light weight plus not needing to be reaching over a thicker body.
Hope all works out well for you with the Strat, but if you can manage to check one of these guitars out, I think you'd be pleasantly surprised.Last edited by ooglybong; 12-14-2012 at 08:49 AM.
-
Man, I love coming here. You guys are great, I always learn so much and you've all been very generous with your advice. Thanks a lot.
Yeehaw (We say that a lot out here, but I don't know why)
-
So far the Strat is working out well. I'm retired and am allowed the luxury of tweaking amp settings and experimenting. Plenty of time now.
-
Originally Posted by JamesAP
I own some of everything, strats, teles, semi, and hollow and my styles are "eclectic" But, I've seen more guitar players who have a string bass, horn, piano and drums behind them using hollow bodies than anything else.
-
Originally Posted by rpguitar
+1
-
I love a good Telecaster or ASAT.
-
Originally Posted by Tom Karol
-
When playing at a lower volume, or farther from the amp, I really like to hear the acoustic sound of my thin full hollow mixed with the amp's tone. there's more resonance in it. This is comparing my thin hollow Artcore and my chambered PRS SE semi-hollow.
-
They are _all_ good. I reflected the other day that I have had the opportunity to play probably every Gibson archtop model except the Citation, ES250, L3 and L12. This includes The Kalamazoo Award. Favorite for jazz? The ES150 (Charlie Christian), followed by the ES175. I have played Guilds, Epiphones (superb), and my first teacher played a D'Angelico (best sounding guitar...except maybe KA or '28 L5). That said, I very much like playing jazz on Fender Telecasters and Stratocasters. The neck pickup on a Strat is a great bebop sound when played into a 5c5 Fender Pro Amp.
With Teles and Strats, sustain isn't an issue because palm damping is both easy and automatic due to bridge design. Great jazz guitars.
-
And no, I don't own all those guitars...gotta stay married. I have played them, though.
-
Originally Posted by D.G.
-
Hollowbody for me. My guitar sits on a stand and I pick it up to play many times during the day. I don't want to have to plug it in to get a satisfying tone.
On a gig, I'll use a semi-hollow (335).
-
I was curious about those Carvins that AH plays. Has anyone played one of those?
-
I play a Heritage Prospect. It's sort of a mongrel in that it has a block under the top but the block doesn't go all the way to the back, so it retains some acoustic qualities. I also have a Sweet 16, but I prefer the Prospect's 15" body width. I also have a Strat and a Jazzmaster both of which have been hanging on the wall for a couple of years.
Blowin in the Wind
Yesterday, 10:27 AM in The Songs