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Originally Posted by Greco
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05-31-2011 06:52 PM
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Originally Posted by kenbennett
For me...
...as many posts in this thread have said, it ain't the sound, it's the hum...
BobLast edited by uburoibob; 05-31-2011 at 07:21 PM.
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I did the same thing- routed my tele and installed a humbucker for jazz in the neck position. I used a Seymour Duncan 59 (a full sized humbucker)
The sound is perfect and I'm really pleased I made this change. I highly recommend this pickup.
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Originally Posted by Timo
Nice. I should have said I love the SD Seth Lover on my tele as much as the 59 on the strat. They are not comparable as they sound very different. I am pleased with both so my hunt is over. Just a mood thing, two is enough and I might as well recommend TRYING either one. Everyone is different, so just my two cents.
I have never tried the humbucker 59, I wonder how similar it is to the lil59er seeing that the construction is different.
and now....to work on my playing skills.
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Originally Posted by uburoibob
I used the tele shape, streamlined it, and deepened the cutaway.
Back to the original poster's question:
Greco,
Phat Cat is a great pickup. It is a single coil pickup, though. So if hum is your problem, the Phat Cat won't necessarily fix it.
If the high-pitch feedback, screaming, is your problem, that's different from the hum problem. The scream is caused by unwanted resonance of some part of the pickup, like a loose winding. Wax potting is the fix.
I like to do things the easy way. I would try one of the direct replacement humbuckers for tele. DiMarzio, Seymour-Duncan and others make them. Joe Barden makes some really fat sounding ones too.
If hum is not the problem. I mean if you're looking for better tone, then there are even more single-coil choices for direct replacements.
Good luck and good sound,
Ken
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Originally Posted by musicalbodger
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Originally Posted by Jabberwocky
My point was not where the neck pickup is mounted. Obviously it's going to be placed where it is being a "neck" pickup, and I'm fully conscious of the fact that it is the SOUND that matters beyond anything else — apart from playability. My point was that it could look so much better if it were bigger, or if it were in a colour that complemented or reflected the rest of the beautiful looking guitar.
I'm glad you think it looks good, but it could look so much better.
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Originally Posted by MGI
Great that the guitar got so much attention and praise. Although I'm a bit confused over your assertion that renowned luthiers and musicians all have a great appreciation and knowledge of the visual arts and design. I guess, working on that principle, you probably get your hair cut by an electrician, take your car to an accountant to be serviced and get your tax advice from the garbage man.
To my eye there are many great luthiers who make great sounding instruments but whose sense of form and design are somewhat lacking. This example, to my eye, is spoilt by a lack of cohesion in the design. The neck pup looks like an add on to what is, otherwise, a beautiful looking instrument.
I'm sure, as you say, it sounds great, but that wasn't my point.
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i love me some 60 cycle hum.
so worth it for the tone.
never played a gig where the hum was more noticeable than the drunk guy in the front. when recording its always been easy enough for me to find the "sweet spot" where it goes away. magnetic north or whatever that is. depends on the wiring where you are too. some places are just a lost cause. one of my old student's house hums like crazy WITH my humbuckers. and NO sweet spot ANYWHERE. drives me nuts. i spent half the lesson freaking out about it. strangely he quit.
that EH hum canceling pedal does work surprisingly well though. i notice a very subtle change in tone, but almost in a good way at least for jazz stuff. for rock...embrace the hum.
if i had 3 teles, i would have one stock, one with a lollar imperial humbucker, and one with a CC. all 3 have their place. but since i have only 1, gotta go with stock. it does 70% as well as what the other 2 do, and still rocks out. ooo aaah.Last edited by mattymel; 06-15-2011 at 11:31 PM.
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I got a partcaster "Tele" last year that with a GFS mini-humbucker installed at the neck. I was planning to re-sell it, and had never played a mini-hum before. Eight months later, I play this thing all the time, because it gets a great jazz tone. From what I read, this is a pickup that GFS worked to create that would have a "fat" sound--moreso that other minis.
Just my experience.
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Originally Posted by Hoopskidoodle
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How fortunate that you guys are discussing this!
I'm just experimenting with this scenario.
The stock pickup were fine for me except on the high E and B.
Then it sounds a little to "Tele" (read "country"......or thin "splat")
With a set of 12 Chromes the 4 lower strings actually are exactly to my liking.
They "bounce" just like a fender should (and that's why people choose Tele"s for Jazz and change the pickups.......Tele's have a distinct body sound especially when picked near the front p'up)
So luckily for me I have a Luthier who will allow me to try some different p'ups.
The hum doesn't worry me that much but I'm thinking that a humbucker might be the way to go as far as tone is concerned.
At the moment I have put the Fender "noiseless" Tele p'ups in.
They are NOT noiseless. They are a little more quiet but still have a decent hum.
More importantly they sound ok but the volume of the high E string is very low and the B is loud. Probably designed for a different fret board radius than mine (9 1/2' I think mine is)
So I think we will push that E pole piece up and the B down and see if it works.
Actually I'm really tempted to buy a cheap Mexican Tele and start chopping into it to try different pickups.
Before I butcher my main Tele.
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Originally Posted by MGI
...that and my love of the un-muddled tones of single coil pickups.Last edited by Hoopskidoodle; 08-26-2011 at 03:31 AM.
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Have you checked out Harmonic Design?
I have the Super Chrome - It's a single coil sized P90 and works well for jazz with the tone knob turned at half. Well, it's generally a warm sounding pickup anyhow.
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Originally Posted by Wei-Ming
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I realize I'm starting up a thread that has been dead for a while, but I wanted to chime in on this subject. I am a telecaster lover and this issue has bothered me for years. Specifically, the issue of single coil buzz. I play lots of duet gigs with a trumpet player and the dynamic changes within our music exposes the buzz on a regular basis. I ultimately switched back to a semi-hollow to avoid this. However, I think I have finally found my solution. I ordered a custom built telecaster from Ron Kirn with Lollar 72's in the neck and bridge position. I will update this once I have the guitar in hand. If you haven't checked him out yet, I strongly recommend it.
Ron Kirn Signature
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Originally Posted by Philco
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I play mostly country stuff on my Tele and Jazz on my ES-165 but I'd like to have both worlds on my Tele without compromising its twangy character and structure. So, please help me with this experiment. My setup is the follwing:
- American Special Telecaster
- Fender Texas Special pickup (neck)
- Seymour Duncan STL-1 "vintage '54" pickup (bridge)
- Princeton Reverb amp
The STL-1 is one of the brightest twangies pickup around, limited output but plenty of sparkle and presence.
The Texas Special have more ouput and is definitely darker sounding. They work for Jazz tones if you roll off the tone knob a little bit, but I'm not 100% satisfied. The best way I found to make mine work best is using an RC Booster pedal to increase gain and get a fatter clean sound. A little boost of bass (on the pedal or the amp) is also required. Like I said, it work but I can find something better.
I should say that I'd like to keep a decent voume balance between the two pickups, if possible.
Do you know some single coil pickups that work for the tones I'm looking for?
Like I said on the title, NO ROUTING, I want to keep my guitar as it is.
I've seen some "humbuckers in single coil format" like the Saymour Duncan Hot Rails or regular single coils like the Don Mare Big Box Archtop which seems to work for that application.
I'm not looking necessarely for expensive boutique stuff, anything that works is good!
Suggestions?Last edited by emicad; 09-15-2016 at 03:59 AM.
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I can't say enough good things about the Porter 9-T. Its an overwound single coil which mimics a P-90. I absolutely love the sound of it. It's a noticeable, but rather subtle change from the stock neck pickup. It's a little darker, a little smoother, and a fair bit higher output. (There's a noticeable difference in volume between it and the stock bridge pickup). It's not terribly expensive for a boutique pup, and dropping it in took me all of 15 minutes.
(Also, you might want to edit that post. Looks like you pasted in some text several times.)
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Thanks, interesting pickup. Do you think it would pair well with my bridge pickup? Like I said, I'd like to keep volumes balanced.
I know this is a strange request since I use that Tele mainly for country snappy twangy super-bright tones, but I hope I can find a couple that works well. I'd use mostly one or another depending on the genre, but the middle position with the right pickups can be tricky, or funny... or both.
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I really like the Seymour Duncan 5/2 pickups and have stuck with them for a long time. They're not necessarily fat, in the overwound sense, but they're very smooth and take varying degrees of drive well. I have more options now, but back when I only had one electric guitar and played country gigs on the weekend and practiced jazz at home during the week, the 5/2 were the pickups in that guitar. Also, a 5/2 neck would probably sound great with your current bridge pup.
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I recommend the Rumpelstiltskin White Rope neck pickup. I get an incredible jazz tone with it on my Tele. It is a single-coil.
I have never had a pickup that balances better with a Tele bridge pickup than this one, either.
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Someone somewhere suggested Klein pickups for single coil Jazz tones. I can't remember the pickup name, though...
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Originally Posted by emicad
I've heard good things about the Lollars. You might want to check those out. They'd be more "traditional" Tele sounding, but might have the tone you're looking for with a better balance for the bridge pup.
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I've gotten negative comments when I TELL folk I have a Duncan quarter pound in the neck position of my tele, but no one has ever said anything when they have HEARD it. It still sounds like a tele. The ad copy say that it's like a humbucker, But I think that comment comes from it's higher out put. May be a little fatter too, but still 100% tele. I think it's a great pickup and I can get a great jazz sound out of it with my vibrochamp at home. I don't want to say it's underrated, but I never hear any comments about it's great tone that I think is totally usable for jazz and might work for you in your situation.
Strings comparable to TI Bensons without the...
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