I'm the original owner of early Larrivee Bakersfield. It is a great telecaster. Extremely well made, beautiful rosewood 1 3/4" round full neck, a lam/veneer fingerboard vs slab. I got one of the first rosewood board models Larrivee made. The guitar came with the traditional tele pickup set. I bought an additional Bakelite pickguard from Larrivee that was routed for a mini-hum. The guitar currently has a Lollar minihumbucker in the neck and a Lolllar BS Tele in the bridge. The those two pickups in this guitar sound almost identical except for the differences due to pickup location. I should also mention I replaced the 3 barrel Callaham bridge for a six saddle Gotoh.
PS: Attempted to correct rotation of picture and instead uploaded both and can't seem to delete the lower one.
When I had Laurent Brondel build me a wider than standard Tele about 4 years ago, he used a 1-11/16” (42.9 mm) nut width instead of the standard 1-5/8” (41.3 mm). For string spacing we used 2-1/8” (54.0 mm) instead of the standard 2-1/16” (52.4 mm) as well. The later was the widest supported by available Tele hardware. What we also did was to use a deeper “D” shaped neck profile which I really liked. These subtle changes in geometry made a big difference for me.
I'm digging the Laravee Bakersfield and Laurent Brondel Teles, but currently happy with my Fender Richie Kotzen Tele with its 1.650" (42 mm) nut.
I added a concentric tone control (these do not come with a tone pot) over the volume pot and couldn't be happier with the results. Great jazz, rock, RnB tones and no hand cramping in the first position.
I am no authority but I have played a LOT of Telecaster guitars over the past 55 years. Vintage Fenders had A, B, C, and D necks that many guitarists think refer to the neck carve. The letters refer to the nut width. A is 1.5 ". I have only played A neck Jazz Basses. Most vintage Telecasters are B and C necks. Never seen a D. C is about 1.65" and is good for a Fender.
I now play an after market neck that is an inch deep and about 1 75" at the nut. Excellent but Fender doesn't carve this .
I had a Plek done at Gary Brawer's shop on a Godin Multiac Nylon.
It was no better after the Plek -- the tech who worked on it just prior did as good a job. It was pleked because of a buzzy...
If you follow the piano, the beats of the segments of the continuous repeating melody lines are phrased as segments that add up to 12 beats.
Starts repeating 12 note melody segments phrased...
Wired was my first, and still my favourite. Then I discovered Rough and Ready, Blow by Blow, and all the others.
https://youtu.be/vs_KgJlCd84?si=GFHMsEXto-Kbqvgx
I’ve played several plek’d guitars. Mileage may vary. There’s a steep learning curve for the machine’s operator. Fretwork and set-up done by a good tech who actually plays guitar him/herself feels...
Hi.
If I understand well you're asking for full hollowbody thinlines. ES330, and ES275 come to mind. While in the ES range. Apart from these I don't find others..
Guitarist I been working with for a while now has a semi hollow thinline L-5. It's definitely a custom made model. Has the master volume on the lower bout like an old Gretsch and one off side fret...
I would have counted everything up until 2:50 as 6/4, based on the phrasing of the melody. After that I get a bit confused as the melody is the same but the drums is playing a different feel which...
What thin line Gibsons were made over the years? I know I've seen pictures of a couple of L5 thin lines. They may have been custom made, I don't know. Also ES 125 and Byrdland. BTW, I didn't mean...
This looks to be super impressive to create great field recordings anywhere that automatically sync to the the 4K video on your iPhone—the world’s smallest condenser mic in a tiny block form that...
Probably not (unless he made one to fit the available space) but a Kent Armstrong single coil floater, floating CC from Pete or even a DeArmond 1100 would probably fit.
Gibson Thin line Guitar Models
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