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This is an interesting rumor that I’ve never heard Pete say. What I heard was rather that he had a hard time deciding which of the two he was going to keep as his main ax.
If it's the latter, I actually just made this today for a class I teach on Wednesdays. I've been deep down a Clifford Brown rabbit hole lately: ...
There’s some conflation here of the blues form and the blues idiom. BB King for example will give you everything you need to know about the blues idiom but won’t help much in navigating a jazz...
I wasn't immediately able to find the Downbeat article. It could always be incorrect.
Ah yeah. I remember that. Disappointing, to say the least.
I think it's a fine plan. Also, it's of course fun to do the extra stuff at home because we're not hearing the whole tune "fleshed out."
It's easy for me to go 4 to the bar with the big band, the band fills out the song, but at home I try to throw all the things in so they'll be ready should I feel spicy at a gig. That's the plan...
This is an easy one to get "too cute" with...I'm noticing that a lot as I play through it. But yeah, that's a great spot for that.
There's opportunity for a chromatic walk up from Gmaj to E- in bars 13 - 14. I didn't realize until after recording.
Copyright doesn't expire once a book is out of print.
I wouldn’t say no to an L5 CES or something, but if I had that amount of money burning a hole in my pocket for a new guitar - actually, no wouldn’t be my first choice. I’d probably go for something...
I choose whichever one I prefer the look of on that particular guitar. Simple as
I think I solved my own problem! :-) I found a book called Wolf Marshall's Jazz Guitar Course. He has a chapter on GUIDE TONES and that looks like what I was originally talking about. I...
Don Cherry on Lennie Tristano
Today, 02:19 PM in The Players