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I'm glad you're a fan of Danger Man. Nothing like it :-)
Yea... your technique... looks good. So you said you understand the theory behind building scales and chords etc... but what you probable don't hear or understand is how to expand those...
Try both, see which sounds better. Why don't you trust yourselves?
Original is trumpet over tenor, right? So you got a choice to make... As long as the upper part fits in the alto's range comfortably, I say give the top part to the sax...it will be stronger
Wow!!! Beautiful example of a low production instrument. Someone will be exceedingly happy with this high end 16” Golden Age Gibson.
Yes, a smoothly rounded binding edge should be standard on all hollow-body guitars. It may be easy, inexpensive and effective, but in reality most industrially manufactured guitars, even more...
Seriously. The only thing I lack is... talent...
I’m thinking he expects payment thru reverb followed by local pickup. It’s risky.
Generally (no hard and fast rule) the sax would take the top line. Thats just because sax will blow guitar out of the water in terms of projection and the top line is usually the melody. Listen to...
That's an excellent approach but I think requires some experience and exposure to harmony and line construction to do well. Learning how the lines in an idiosyncratic bebop solo fit with various...
If there's a piano, play the melody. If there is no piano it's up to you. I think it would be cool if you guys arranged this part and he took, say, the bottom note and you took the top.
Crimson/Hutchins Gibson l5
Today, 09:04 AM in Guitar, Amps & Gizmos