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As far as anchoring the strings, vibrations etc... I don't know if I can claim anything, but the G&L "SaddleLock" bridge is top-loading, on one hand, but extends into the body and anchors there. All...
I’m a bit confused by your luthier’s opinion, Jack. First, the gap under that area of the footer is only 15 thou. It should be easy to lay thin abrasive paper grit side up on the top and reshape...
I need to learn Straight No Chaser. So that's my request. Then Mr PC.
What's your goal? Be really good at musescore, or to play music? I actually think copying exercises into musescore and playing along with them might be a good way to learn the program. But the...
I've decided to sell my 1949 Gibson L4C for £3000, I had it for about 20 years. I rarely play it nowadays, it stays in it's case. Body size at lower bout: 16inch Scale length: 24 3/4inch ...
Stella sounds good. Ballads are surprisingly tough! Feels like so much space between those quarter notes. Rather than get into a thing about the correct changes for Stella, I'll begrudgingly use...
I was hoping this thread would generate more discussion, I know there are more Comins GCS owners here, but maybe more GCS-16 then GCS-1?: Comins GCS Owners Club
Thanx for taking the feedback. Do you know what you'll tackle next? Maybe I'll do it too and we can share notes, compare/contrast styles, technique, progression reharm, chord voicings, etc. ...
Love it. Epiphone sounds fantastic...no surprise. Old Epiphones are the bees knees. I'll try to improve my camera angle for the right hand, basically I'm hitting the 1 and 3 maybe an inch or so...
Of course. But I can't help but think that seating frets all the way is not going to add 15 minutes to the whole procedure. It may also not make that much difference on the initial set-up if the...
It is already done. Music for years has been connected with spoken intonation. And you can actually hear it in national schools of music(realtion to the national language intonation and phrasing). ...
Ok, I finally had some time this morning, here's a little Dinah with an experimental bridge reharm. Also, I can't sing and I want a little melody so...:nightmare:
Is there some reason you think this would be "more beneficial" ? Playing with a metronome is a time tested technique for improving a player's timing.
I'd wish I could have seen your right hand. I think where we play (closer to neck vs bridge) plays a big part of the sound.
So, I'd really like to dive deep on rhythm styles...straight four, syncopated, gypsy style. I'm noticing everyone's sounds good but different. I heard a nice talk on this on how this changed over...
Gibson L4C 1949 with Lollar McCarty type...
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