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“Strategy to plan”.
Meaning, start with specific goals (strategy). Map those abstract goals to prioritized and sequenced plans. Break those plans into prioritized and sequenced activities and steps - and then take off and dig in!
Kind of like a leveled instrumental study plan of technique and repertoire. (Who knew?!).
But seriously, effort is not the measure of success, it’s the results that count. If anything, efficiency and time savings in reaching the desired goals are desired/valuable. Rest assured, if the goals are lofty the effort will be substantial. The necessary hours per day level of investment will reveal itself.Last edited by Donplaysguitar; 01-15-2022 at 03:43 PM.
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01-15-2022 01:45 PM
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Hello everyone its been a long time. I've been practicing guitar on and off with the new medication to see what works and what doesn't and found out that practicing 12 hours a day (or close to) is my absolute limit as far as practice duration goes. I've attempted 15 hours but it turns out I need my 11 hours of sleep to actually feel rested (my psychologist recommended).
Why am I doing this you may ask? Inspiration. I'm inspired by the long hours the greats put towards their instrument Charlie Parker, John Coltrane, Paco de Lucia etc. So I might as well do it too. Theres nothing else to do anyways and I tried applying for a few jobs but always found doing those jobs more mentally taxing than practicing my instrument so here I am. The life of a musician is for me there is no other alternative. Time to sink or swim
I'll probably do this everyday for a couple of years (3-4) and see where I end up. I have my material plan ready and will end up with a teacher later down the road. I will drop by the forum during lunch breaks to see whats new but other than that yeah.. I will be practicing guitar for 12 hours everyday starting tommorow!
Wish me luck
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Twelve hours is not practice. It is a job.
Parker was dead at 34, Coltrane at 40. Paco de Lucia made it to 66. If you need heroes, they should be people who lived long and loved life.
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Originally Posted by jazznylon
Practice prepares you for the second thing. The second thing is the real learning experience.
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When was in music college for classical guitar, I practiced so much I developed very bad bursitis in my right shoulder. Probably just bad technique. Had to quit playing for several months to recover. Did a lot of left hand exercises on the fretboard without using my right arm.
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Originally Posted by Litterick
If I understand correctly the OP doesn't yet have a teacher. I haven't read through the entire thread but I wouldn't be surprised if that explains his need for medication...
Wish me luck
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Originally Posted by jazznylon
If I had to guess . . . I'd say you're in your 20's . . . right? So, I'm basing my comments with that in mind since if you're older, my comments would be quite different. Ergo: 1.) I've never known a real musician who practices 12 hours a day. The reason is threefold: 1.) it's mentally impossible to stay fresh and work on difficult material, 2.) it will destroy your hands, and 3.) it's not needed to achieve your goals. Secondly, there is a distinction between Romance and Reality. I also read about Coltrane/Parker's 12-hour woodshedding but as a former full-time saxer, I believe it's more fiction than fact. As a woodwind player, your hands would be fine but you'd blow your lips out after even 6-8 continuous hours of play every day. And, Coltrane blew a "Five and Five": An Otto Link #5 mouthpiece and a Rico Royal #5 reed. What that translates to the uninitiated is a huge sound that requires a huge amount of physical effort(air volume/velocity) to play. When I was at my peak, I blew a Meyer #5 mouthpiece with a Rico Royal #4 reed and believe me . . . the average player could not play my horn with good sound. So, 12 hours every day . . . hmmmmmm. Finally, 3-4 years. How did you arrive at that number? I was bitten by this romantic notion in my 20's and lived an artist's ascetic existence as I watched real jobs in Music disappearing monthly. The efforts were huge and the rewards meager. Better get a skill set along your path since life can change abruptly Good luck . . . Marinero
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The other bit of advice should be to move to Nashville as soon as you can, get just a good at networking as you are at guitar too. The charismatic guy with half the talent will always get the job.
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12 hours/day would be great if you really know what you're doing.
When I started doing this, I thought I had the practice routines worked out quite well. But... hm. No.
Leave some time free to ponder about the practicing habits and try new stuff always.
I found out there is maybe about 1000x more things to do than in the beginning
Mostly optional. But options are good.
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Thanks for the update, @jazznylon!
Hmm, so, practicing for 12 hrs/day, without a teacher, without a band, without a job, for a few more years ... until what? You're going to collapse, burn out completely on music, or worse, and I'm afraid you won't be able to check back in with us after three years. This wasn't healthy for Trane or Parker, and I'm not sure it will be healthy for you. I appreciate your openness on this thread, and with everything you've shared, I question this as a "solution."
Peace,
Marc
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Originally Posted by RJVB
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Originally Posted by marcwhy
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Originally Posted by jazznylon
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Originally Posted by jazznylon
You know, of course, the people you cite as your inspirations and role models did NOT follow a linear path, and they gave themselves time to evolve before they synthesized their own approach?
I congradulate you on your spirit and commitment. I have seen many players study content unwisely; ignorant of any reason for what they wanted to accomplish.
What are the guiding forces in your own music? Is it rhythmic? What filters determine that fine shaping line that makes you different? How do you relate to Trane's life and have your eyes and ears been shaped by things that give MEANING to your playing?
If you were a playwright, would studying Shakespeare, Wilde, Beckett, Stoppard obsessively make you a great screen play writer?
Tell me about the SHAPING forces in your music, in your studies, and tell me how the non linearity of becoming an artist fits into the musician you're hoping to become.
I ask this of a lot of my friends: "When is the last time you discovered something that redefined what music is to you, in theory and in practice?"
It's an amazing revelation to hear what Julian Lage, Sco, Friz, Ben tell me.
It's very different from what they thought when they were younger.
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Trane would shed in the dressing room or even bathroom on breaks
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Originally Posted by Jimmy blue note
At your age I thought the same thing..30 is my max if I can't achieve it by then move on, but, Wes was nearly 40 when he broke out on his own (and still held a welder's day job to support his family) .. I have never seen or heard of a YOUNG Herb Ellis! and the Colonel (KFC) was 50ish when his 11 herbs etc ..so! YMMV, but, don't despair....keep the hours balanced, some, intensive mentally, others, just to keep the fingers nimble....
Ray
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There is always one story of why one great musician became who they did. It's knowing what THEY thought were the fundamentals and following their own reductive and expansive choices.
If you find something you love, it can take you to some application of the rule book that nobody else has thought of before.
There is always one story of why a particular recording is seen as iconic, but that "performance" is merely 4 minutes out of their life.
Understand the process, practice finding something you never expected to find and use that to craft an individual sound, an internal set of rules that governs your own note choice.
And jazznylon, as you go through your practice time, share with us your revelations "Ex: Today at the three hour mark, my hand cramped up, I went outside, noticed how the clouds move in layers and create new shapes. Today I'm going to finally crack that poly rhythm nut, shapes over shapes, meters over meter."
That kind of stuff, that will be lovely. Thanks
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Originally Posted by Jimmy blue note
Ray
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Out of curiosity, what would a 10 hour daily practice schedule contain?
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There's a major trouble with long hours of practice time. The mind gets lazy. Won't apply the full attention. Kinda fine to be "postponing" the results too.
The attitude may be useless from the beginning. I have experienced this so many times. That automation-loop-trap.
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".The only barrier is I just can't play my 17 in archtop for more than 20-30 minutes tops... that hurts my back big time.." RayS
Hi, R,
Buy a semi.
Marinero
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Or try using a strap when seated, if you don't already. It helps keep your back straight, if you position everything accordingly.
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So far so good I practiced 12 hours yesterday now doing it everyday? Thats the hard part. I have ocd so that probably explains how I'm able to do such tasks (medication too).
@marcwhy I'll think about it.
@alter I've been using the advancing guitarist book working on scales in 12 keys
@truthhertz So far I think the advancing guitarist book greatly shaped me on how I approach things as an artist, particularly the single string playing idea and major thirds tuning (indirectly speaking)
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Originally Posted by grahambop
You've been reading de Sade lately???
Marinero
P.S. May I recommend "Justine?"
M
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Originally Posted by Marinero
Is it good? Did you enjoy yourself reading it?
G.
Transcriber wanted
Today, 04:35 PM in Improvisation