Robin D. G. Kelly's Thelonious Monk: The Life & Times of an American Original---to me one of the truly stellar jazz biogs.
Anything by David Hajdu; especially Billy Strayhorn: Lush Life and his biog on Nat Cole. (I've also corresponded w/him and he seems truly nice).
Frank Buchman-Moller's You Just Fight for Your Life---the Story of Lester Young. (All the Pres biogs are worth reading).
Art Pepper's autobiog (written with Laurie Pepper); and Miles (written with Quincy Troupe) are self-gratifying and hampered by loads of BS, but I've read them both numerous times. Pepper is a spellbinding raconteur, and his insight into other musicians' work is interesting to read (if his comments about his own 'genius' are slightly delusional). Miles talking about music has been great food for thought.
The Benson book was mentioned. One thing that cracked me up: some poetic justice. I knew Eddie Diehl for years, and he had a bug up his ass about Kenny Burrell. It had to do with a record date where he was sent home and replaced by Kenny b/c the company wanted a 'name'. He neither ever forgot nor stopped bad-mouthing Kenny's playing til it came out of your ears. I guess it's SOMEWHAT understandable. Eddie WAS one of the best, and a truly good-hearted guy underneath it all. We're all sensitive, and rejection---perceived or real---can really hurt.
Anyway, in George's book when he got the call to go with McDuff he was to replace Eddie. His comments---and they were respectful---were (paraphrasing): '(Eddie) was a formidable musician----not on the level of Kenny Burrell...., but he definitely could play'. Eddie was still alive when that came out. I hope he read it---it MAY have shut his mouth. I doubt it though---shutting Eddie's mouth about ANYTHING, especially guitar players he was jealous of (their stature in the biz, not their playing), was a tall order. But I had quite a chuckle over that one...
As long as we are ranting on reverb, how about how every guitar made in japan in the 70s is now a lawsuit guitar, as if that makes them more desirable. Or super rare. Yes, they only made as many as...
It makes crossing strings extremely easy, as the pick has to hardly move. However you have less definition and a much rounder tone with less treble. Yet another thing to puzzle us when trying to...
You can sweep pick the last line at the 6th fret, it's a GbM7 arpeggio (preceded by the notes Eb & F on the 5th string). I played the entire four bars in the 4th to 6th fret positions, shifting as...
Hello again,
I finally completed my restoration work, not perfect, but much better than original condition!
I used a smooth brush to remove all the sticky dust on the pickups and polished...
Well, hey, surprise!
I just came here to read about something else, saw this and guess what - today I also fitted JS112s to my '66 ES125 and - exactly the same: new guitar!
I didn't move the...
2 new & excellent Jazz Comping Truefire...
Yesterday, 10:22 PM in Comping, Chords & Chord Progressions