Robin D. G. Kelly's Thelonious Monk: The Life & Times of an American Original---to me one of the truly stellar jazz biogs.
Anything by David Hajdu; especially Billy Strayhorn: Lush Life and his biog on Nat Cole. (I've also corresponded w/him and he seems truly nice).
Frank Buchman-Moller's You Just Fight for Your Life---the Story of Lester Young. (All the Pres biogs are worth reading).
Art Pepper's autobiog (written with Laurie Pepper); and Miles (written with Quincy Troupe) are self-gratifying and hampered by loads of BS, but I've read them both numerous times. Pepper is a spellbinding raconteur, and his insight into other musicians' work is interesting to read (if his comments about his own 'genius' are slightly delusional). Miles talking about music has been great food for thought.
The Benson book was mentioned. One thing that cracked me up: some poetic justice. I knew Eddie Diehl for years, and he had a bug up his ass about Kenny Burrell. It had to do with a record date where he was sent home and replaced by Kenny b/c the company wanted a 'name'. He neither ever forgot nor stopped bad-mouthing Kenny's playing til it came out of your ears. I guess it's SOMEWHAT understandable. Eddie WAS one of the best, and a truly good-hearted guy underneath it all. We're all sensitive, and rejection---perceived or real---can really hurt.
Anyway, in George's book when he got the call to go with McDuff he was to replace Eddie. His comments---and they were respectful---were (paraphrasing): '(Eddie) was a formidable musician----not on the level of Kenny Burrell...., but he definitely could play'. Eddie was still alive when that came out. I hope he read it---it MAY have shut his mouth. I doubt it though---shutting Eddie's mouth about ANYTHING, especially guitar players he was jealous of (their stature in the biz, not their playing), was a tall order. But I had quite a chuckle over that one...
Hey guys thank you very much for all your replies.
I am leaning towards position 2. I also bought the Dunlop straplock and will ask the tech to install it.
Will do NGD!
Ll.
I love Ben Webster. The Holiday/Webster sessions with Barney Kessel on guitar is a legendary album. So much inspiration in there and Barney's performance is stellar, very melodic guitar playing.
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Actually, the entire 4 bars could be played in the first position if you use open strings but it may sound country especially if you're playing a Tele. :pig:
Unfortunately I can't notate open strings with the Chord Writer app I have, but the top strings are open, so all the chords I posted, except for two, contain the 5th of the chord: the open G string....
The OP's question is voicings of #11's with the 5th. I gave one example.
There are others but the chord charts you posted seem to omit the 5th. Also I don't see any open strings in the charts.
And there are many C Lydian voicings with open strings - more than any other chord if you count Am7 & Em7 voicings.
A couple of duplicates there but I can't edit the image....
Bluegrass players, almost without exception, will put the strap button at position 5 on their dreads.
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Autumn Leaves (Fingerstyle Chord Melody)
Yesterday, 11:56 PM in Improvisation