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>>>>>“The real artists … are doing it the right way because they are going out and playing live and getting a huge following by playing live shows. And you don’t really see them on social media very much.”He added: “When you listen to even the cheesiest songs from the 50s, 60s and 70s, they are songs.<<<<<<<<
Read more: Sir Elton John wishes people would write `better songs | Daily Mail Online
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04-12-2018 05:06 PM
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That artists should strive to make better art is a given, I would think. Perhaps parenthood is having an effect on Sir Elton. Staying off his lawn has been easy for me, what with the Atlantic ocean and whatnot. That said, he's not wrong. I know I've been doing my bit. Writing good songs is hard. Getting people to listen to them is harder. Getting paid for it is orders of magnitude harder than that. Oh well.
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So - Sir Elton John is complaining about modern music? Interesting that he would think so. But if you think about what Elton John's contributed to modern genres, I would probably go "Ummmm.....yeah?" I grew up in L. A. and my favorite kinds of music were the blues and blues-based rock. Elton John we dismissed as "wimp rock." Such hard hitting songs as "Tiny Dancer," "Honky Cat," "Bennie and the Jets," and "The Bitch is Back" - they had a rock flavor but it was just commercial music, the same kind that he is complaining about now!
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I loved Elton's mid-70's stuff til I discovered prog rock, then I saw EJ as a dinosaur.
With the benefit of more experience, I have come to really appreciate his approach to songwriting and arranging and performing. I like all his stuff from the 70's. After that, I think he lost his edge.
But what he has always had is an impeccable taste for melody. And that's what most pop music these days lacks...that and a beat you can follow.
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Hmm - define "better" I say. And if he did/could, it would only in effect be some set of rules defining what he considers good. "Good" always a matter of individual taste, and I don't like rules where art is concerned, music or otherwise. Today's songs may not always, or often, be to Elton's taste - some aren't to mine for that matter. Perhaps those songs don't contain certain elements he likes, but other people seem to like them, and who's to say they're wrong?
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Despite the ad hominem attacks on Elton his hypothesis is easily made, and one needn't be a multiple Grammy winner and massive record and concert ticket seller to make it. American culture continues to decay in many ways and music is one of them.
Elton grew up playing the piano, and classical piano at that. Compositional form, variation, melody, harmony, rhythm. Music that is married with the mood of the lyrics, etc., etc. The level of sophistication used then, as compared to today? What a down spiral (is that one word or two? oh well).
When an entire field of music (pop) gets dumbed down by simple, throbbing dance beat objectives, a lot can be lost and has been lost.
I witnessed pop and rock getting dumbed down by disco, and it has just continued to slide since the 70s. Elton and Billy Joel still rake it in with live shows. That's due in large part to nostalgia, but it's also because they haven't been bettered.
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Thing is, there is a lot of great music being made right now - and a lot of it is electronic and just as good as the classics. It's just that the music business has shifted a little and being on the radio doesn't mean all that much about how good you are any more.
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I have always said that there is always great music being made, but most Top 100s since the 80's anyway are not among them.
I go to the gym a couple of times a week. If one of the older gray-haired guys is working the front desk, the background music throughout the facility is set to classic rock or something similar. I heard Elvis Costello's "Watching the Detectives" on Monday...
But if the 20-something girls are in charge, it's Top 100. Not offensive, just no memorable tunes whatsoever.
I have as much exposure to Taylor Swift and Katie Perry and The Weekend as the average middle-aged white dude, but I couldn't hum one of their songs if you put a gun to my head.
Here's the current Top 100 list in case your interested: Music: Top 100 Songs | Billboard Hot 100 Chart | Billboard
I will point out that our old friend Post Malone comes in at number 3, 21 and 39 and maybe a few more, and I will say I find his stuff more interesting than most of this group. And hey, Bruno Mars, Cardi B, Maroon 5...I'm no old fogey.
But you're comparing them to Janis and Aretha and Stevie and Elton and Bobbie D...GTFOOH. Ain't no comparison.
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Originally Posted by Jazzstdnt
Can't confuse some of the crap that floated to the top with the broad category of 70's dance music, much of which was superb.
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I agree with EJ, they're trying to do a different thing than the 'Old School', but it's not working, IMHO. This goes for jazz, also, IMHO.
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Elton made a lot of crap.
He also wrote some brilliant tunes, with wonderful melodies and interesting harmony.
Pop music should listen when he talks.
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You can accuse the 60's and 70's songwriters of many things, but you can't accuse them of not knowing the importance of melody. They still had that impulse of the old tin pan alley and Broadway songwriters.
Despite my defense above of disco, it is a fact that some of the bad stuff emphasized beat over melody, and by the 80's it was all attitude and "sound". There were melodic songwriters in the 80's like Peter Gabriel, Sting, Elvis Costello, Glen Tilbrook, etc., but they were overshadowed for the most part by synthesized dance music. And going forward a lot of music emphasized form over function as it were.
It's kinda hard to put one's finger on it, but there's just a lack of substance to a lot of today's music in every genre, including jazz. That doesn't mean it's all unenjoyable or even irrelevant.
I mean, some things are just a fact and you have to live with them.Last edited by Doctor Jeff; 04-14-2018 at 10:08 AM.
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Originally Posted by Doctor Jeff
I never bought a single record of any of those people, or Elton, for that matter. (was into jazz hard core). But there were some disco or "disco-ish" things that were OK.
I heard some K.C. and The Sunshine Band at a recent wedding. It's kitschy, intentionally so I suspect. But it's also plain old fun. It still works. People old and young still dance to it with a smile on their face.
I could list the disco craphounds but I won't. They made their bread, they did their job.
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Originally Posted by Jazzstdnt
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Cardi B, Post Malone and Lil Dicky are changing the game. I do blues so I'm looking at Malone. I'm working on Rockstar. It's a blues. If I did jazz I'd be checking out Bruno Mars New Jack Swing.
Swing is swing.
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Charlie Christian would be tearing this up;
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Originally Posted by MarkRhodes
^^^^^^^ This.
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Originally Posted by Doctor Jeff
I think good dance pop tends to get remembered and the crap gets forgotten. Album music is different.
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Pop is looking much better the last year. Post Malone definitely has something. I think it starts with stories in songs.
Music videos have been around for a hundred years. That changed in the 80's. They became another way to tell the same story. That probably had a lot to do with the 80's being a performers era. That's what has to change.
We need songwriting.
Elton is looking in the wrong places. Kendrick Lamar? he's too 'industry'.
There was a bidding war for Malone. He's made it clear he won't bow down to any genre.
Lil Dicky is a bit of a novelty but he's about rap. He's the new Eminem.
When radio is vibrant it filters down to the clubs and generates interest in all live music including jazz.
Rap isn't going anywhere but it seems like a post-rap post-Prince world now. Malone doesn't need to be a performer. He's a little like Dylan and he can rap too. I like Rockstar and this one;
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Originally Posted by Stevebol
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[QUOTE=christianm77;864184]Didn’t a lot of music fans in the 1960s think Motown was commercial crap?]
Not where I was living. But then again no one in the Southern or Western US was booing electric Dylan in 1965 either. That was politically brainwashed college kids in the Northeast and the UK.
Listen to Nile Rogers talk about how Chic basically got put out of business by the Disco Sucks movement in the late 70s Punk circles. It was really just nothing more than racism from a bunch of white punks on dope. I was hardly the Disco Duck or any kind of John Travolta wannabe but I dug Disco. It was just black dance music which I've always liked in any form. I used to tell the punks that in a decade or two they'd be listening and dancing to something similar to Disco and I was right. I hesitate to say it but white people rarely really understand black music including Jazz, even if they like it. There are plenty of exceptions. Muscle Shoals and Chips Moman's Memphis studio come to mind.
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Originally Posted by christianm77
I have read that Bruce Springsteen has often done Edwin Starr's "War" at live shows. (I had that single. I had a lot of Motown singles as a kid.)
Later, Rod Stewart did "I Know I'm Losing You." The Band did "Baby, Don't You Do It." Talking Heads did "Take Me To The River". Elvis Costello did "I Can't Stand Up For Falling Down." Rare Earth had their biggest hit with "Get Ready." The Captain & Tenille had a huge hit with "Love Will Keep Us Together."
David Bowie & Mick Jagger did "Dancin' In the Street" sometime in the '80s. (So did Van Halen, IIRC). James Taylor did "How Sweet It Is To Be Loved By You," Linda Ronstadt did "Heatwave," Phil Collins did "You Can't Hurry Love." The Black Crowes rocked Otis Redding's "Hard to Handle," and his "I Can't Turn You Loose" was the theme song of the Blues Brothers.
I think you could put together a nice "greatest covers" package of just the Beatles and Stones doing Motown songs.
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Is Post Malone like post bop?
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This is the first I've heard of Post Malone. I like it.
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Malone is an artist;
"Cocaine on the table, liquor pourin', don't give a damn
Dude, your girlfriend is a groupie, she just tryna get in
Sayin', "I'm with the band"
Ayy, ayy, now she actin' outta pocket
Tryna grab up from my pants
Hundred bitches in my trailer say they ain't got a man
And they all brought a friend
Yeah, ayy"
This isn't a vocal effect to create the tremelo;
Interesting interview;
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