It’s flipping Rachmaninov or sumfink Sent from my iPhone using Tapatalk
It's like all downward chromatic bass movement. Super dramatic.
Are you referring to Chord Etude no. 2 on page 72? The chord on beat 3 of bar 8 has an F, Ab and B.
I love the way that Tim hacks around with these things. He's almost perfectly answered the question I was thinking about when this thread began (although now I'd really like to hear it with the...
I like it when it goes Bm Em7b5/Bb D/A the best I also like that it goes Gm6 Dm with no A7 Sent from my iPhone using Tapatalk
Well I rather think of that as vanilla. Sure, it’ll work, but why not have Bbmaj7#11#9 instead? Or for that matter a Bbo7(maj7) - oh wait…. You could even sub in Fmaj7#5 Sent from my iPhone...
I had a thought it was Miles, but he also said Davis in the post. I'm easily confused.
Well, just do the interval of the diatonic target note up or down a half step. Or use mechanical voicings/barry stuff. So dim7/minor 3rd. Sounds less good to me in two voices though. Sent from...
Sgo, you found out exactly what I was hearing. The 1000 is smoother than the 1100 and I really need to post my using it on my 1938 L5. I bought the L5 naturally from the acoustic standpoint it is a...
Flory should be a household name.
I would use the same flavor of the chord it's going to. Jazz is about what's coming next, not where you were. If it's a chromatic on the way to a minor, make the 3rd a minor. It'll be fine. None...
Here's a few more practice licks from Bars 5-8, transposed into C Major changes. I'm trying to create licks, whilst learning the tune. Maybe, they might or might not be useful licks for other...
we were talking about harmonizing chromatic passing notes with the thirds and sixths. nevermind.
What was that piece inspired by a North African...
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