A few years back I tried two, one was an older one with a Kent Armstrong and the other was newer and had a SD SL. The SD was a little brighter sounding, and I thought the KA actually sounded a...
Yep. Really common to use the half-step between flat 7 and tonic too. So that’s E, A, and B respectively. You can just use the chromatic note between the lower sixth for that too.
Ok, so ... Over F7: A/F, Bb/G, C/A, D/Bb, Eb/C, F/D, G/Eb [Notes from Bb Major Scale] Over Bb7: D/Bb, Eb/C, F/D, G/Eb, Ab/F, Bb/G, C/Ab [Notes from Eb Major Scale] Over C7: E/C, F/D, G/E,...
Awesome, thank you for the information. I called the shop yesterday and they were very helpful.
Peng is not giving us his version. I don't think he's got one. So he's asking us what to play over a non-existent chord progression... Don't forget the standard version is Bb Gm | Cm F7 but Barry...
Joe Pass played an A7 arp over the Eo: C#AGE. xx6585.
Dominant 7 is the fifth mode of the major scale. Another way to say it would be for a dominant chord you want the major scale from the fourth. F7 - Bb major scale Bb7 - Eb major scale C7 - F...
Okay for real … This is Sonny on Oleo. Look at what he plays over that bar. They notate an Ebm sometimes and an Edim sometimes. What he actually plays .. sometimes an Edim over Edim, sometimes an...
Hello. As stated in a few replies already, probably any Telecaster would do. There are some tricks though that could help the instrument to achieve the tones desired for jazz. I will detail what...
Brass is the "warmest" of the metal saddle materials. If you are still finding the guitar too bright, maybe you're not a tele person. The only other thing I know of to tame trebles would be graph...
Thank you for this - so what would this look like over the Bb7? Would that be over a Bb7 Scale? and what about the C7?
It's not 'conceptualised'. You know the sound, you know how to play it, and you play it where you think it'll sound nice. Which it does :-) i.e. rely on your ears. Like muscles, the more you use...
Yes you are correct
1934 Gibson L-12 Caveat: Archtopdotcom is not definitive. Original parts such as tailpieces may have been swapped out.
Using the scales. These would be what you call “diatonic sixths.” So if you’re playing a blues in F and you’re using an F7 scale over the F chord and you play an F, you can harmonize it with the...
palm muting techique
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