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Originally Posted by rpjazzguitar
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04-23-2020 02:34 PM
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Originally Posted by christianm77
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Is there a outline/synopsis of these triad + one note quadrads and how they are applied. I’m interested in the subject but don’t really have a schedule that allows me to tune into hour long videos. I also tend to do much better having a basic outline of a concept and working on it by myself. I think Jordan is a fantastic (and extremely generous) player and educator, I just work better on m own.
Originally Posted by christianm77
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Allan Holdsworth came to mind. Is there any book about his grips and approach to harmony?
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Originally Posted by whiskey02
application cheat sheet coming right up. Triad followed by tension tone. So C/2 = C E G + D for example
Major family
C - C/2
C6 - C/6
Cmaj7 - Em/4
Cmaj9 - G/6 but I really like G/2
Cmaj9#11 - D/2
Cmaj13#11 - Bm/not sure
Cmaj7#9 - B/4 (my favourite)
Minor family
Cm - Cm/2
Cm6 - Cm/6
Cm(maj9) - G/b6
Cm7 - Eb/2
Cm9 - Gm/4
Cm11 - Bb/4
Cm13 - F/4
Half dim
Cm7b5 - Ebm/2
Cm11b5 - Bb/b6
Dominant
C7 - C/b7
C9 - Gm/6
C9#11 - D/2 I like D/b6
C13b9 - A/b9
C7#9b13 - Ab/b6
C7b5b9 - Gb/#4
Full Diminished
Co7 - B/b9
dunno about C13 (why play C13 though when you could play C13b9, though?)
dunno about sus chords
hopefully you can see large number of repeating quadrad types.
Major/b6 great choice for melodic minor sounds...
in general we avoid dissonant triads (dim and aug). I think the idea is to have something that sounds at peace with itself rather than wanting to resolve, and that way you bring out the chord colour. The tension note adds movement.
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Originally Posted by BigDaddyLoveHandles
I have a copy of it... it is full of diargams.
Lot of things are scale-derived but
there is a lot of quite common shapes and conceptions though
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I just bought the randy Vincent book
Jazz guitar soloing cellular approach
Another one for the collection
Sent from my Redmi Note 7 using Tapatalk
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You may have this book already but Ted Greene's Chord Chemistry has a ton of modern, tightly voiced chord voicings. The problem with that book is it does not offer them up in organized sets but they appear among many, many, many standard voicings he offers up.
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Originally Posted by Roberoo
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Originally Posted by srs
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Originally Posted by BigDaddyLoveHandles
"Reaching for the uncommon chord" book and the VHS video booklet for "Just for the curious".
Both very difficult and both contain mainly song transcriptions, but the "Just for the curious" booklet has some of Holdsworth's ideas for chord scales.
Mick Goodrick's series of "Almanac Of Guitar Voice-leading" are great for chord voicings, you can to pick the ones you like best from a lot of examples, 450 pages in vol 1.
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I just made a very brief vid about very small idea
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Tim Miller has a seemingly simplistic video on creating more modern sounding Major chords.
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Originally Posted by GuyBoden
Seems like it is about superimposition also.. the things is that it can be done with anything anyhow...
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Originally Posted by David B
I wasn't familiar with this one. Just ordered for some Isolation sheddin'
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Badd4/C (Cmaj7#9) is a fun one
8 x 9 8 7 x
8 x x 8 5 7
8 x x 9 7 11
Strings comparable to TI Bensons without the...
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