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I play with classical technique and don't play many lines except as fills. I use the various 6th dims scales (including subs) for lines, and I do wonder sometimes why there is such a disconnect...
Much as I'm enjoying reading this thread, we've kind of gone off piste! Can any of you, very knowledgable people, give me some pointers as to what to learn next? haha
It all uses scales. Usually they just mean chord tones and ornamentation. And they won’t be using in Greek in the instruction. For what it’s worth I watched sped up through the first twenty five...
Unhand me you miscreant. And post your Blue Monk in major for the millionth time.
True Peter, I think though the changes but overall feel it can all be pulled, with discretion, from C major. Except the D7 bit. I'm not a teacher and I'm, mostly, self educated so my system is a...
^ Yeeah! https://www.youtube.com/watch?v=b-t8bNl75Qg
Hmmm - bluesy? fusion? No backing tracks out there, so I made one. Let's give it a try... ...
Yes, I know, but it seems to have run into trouble :-)
Well you don’t want to lose the movement of the tune. C —— D7 —— G7 —— C G7
You ruffian. It's not exactly a travesty if everything isn't extremely crunchy all the time, I hear you guys play smooth stuff. And if it is, then arrange it however you want to have as much...
Quite right. Just points in the melody where lowering the third makes it less chromatic and less dissonant. The whole step right at the beginning, then the spot in m3-4 where what would be 5...
^ You are out-of-control. It's ok, it's a jam. Jackassery, discussion, and compromise are permitted. I didn't have any second thought about it sounding cool and being a cool idea. But if you...
A couple recent sort of jazz songs
Today, 01:21 PM in Composition