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Originally Posted by mr. beaumont
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05-22-2024 02:24 PM
I grabbed 3x23xx but tried to hit the middle only, since G is a natural 5th. I need to start practicing grips without my root security blanket.Originally Posted by mr. beaumont
When it's that specific, it's either A. What the overall sound is based on what the horns are playing or B. The composer being very specific.
Big band chart A. is your answer.
But at any rate, I see that in a big band situation, and I'm playing an F# and a C.
Well, it depends on the style. Nothing wrong m with working on strict voice leading. I did a lot of that! Sent from my iPhone using Tapatalk
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I love it! Really enjoyed your fills and ornamentations on the tune. I think the pick gives it a different feel as well from the finger style that the rest of us have fallen into.
Ah yeah fair, so that's my Barry thing coming in, I basically ignore the II chord as just a suspension of V. But you can look on it as two separate scales on roots A and D instead of one on D if you...
That's very nice. Listening and watching I realized I've handled a few of the chords more according to my own past experience and not according to what Arnold wrote. Listening to play it I realize I...
Cool, because horizontal is slang for "doing it, getting busy, making whoopie, knocking the boots," etc., etc.
I wasn't actually proposing them for a vote. All of them are good, and all would transfer equally to other tunes.
I have found the Princeton mic's very well. I can't hear much difference between the direct line side and the mic side of my recording. I also have a Fender Tone Master Twin Reverb and its direct...
LOL, there's probably a Mark Twain quote for that, something like, "He's an extremely talented man, unfortunately no one has been able to find a practical use for his talents."
Thank you. I wish I had an actually useful skill.
Very nice summation, Christian, you really are good at that sort of thing. :smile-new:
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