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I heard that there are a some awesome classical guitar players who don't really care to learn a new bunch of pieces every year. Instead they are touring the world with stuff they have been playing...
Changes I've seen sometime or other in the past.
Quite. That's why you should cut down and simplify. It's not difficult if that's what you want.
these …. I think I need to use uncompensated barrels as as i want to use wound third TI jazz swing set with the intonation set up they end up in a fairly straight line as my picture below...
would they be darker sounding than brass ?
https://youtu.be/TTVdX1awekY?si=JAQfaB6F0qprfyYW
I agree there is no end point in learning a classical piece. I once asked my classical guitar teacher from way back how long should I be expected to work on a certain etude? He says my entire life so...
This is what I'm trying to explain. He's not sure what it's expressing. A really good transcription would have chord symbols for what the rhythm section is playing. The Sonny Rollins Omnibook...
Just ordered this...why not? it was ten clams US
If one is not already installed, you could use a .015uf capacitor in line with your tone pot to smooth out the treble.
Play what you love and love what you play. You don’t have to know every chord and technique. Learn the chords and techniques for what you love. Don’t learn songs,scales,styles, and techniques just...
Are these chord changes or what the transcriber thinks the soloist is thinking? That diminished move is like, the first chord sub we learn.
This is like someone saying they want to learn the blues and starting off with Joe Satriani. Pasquale Grasso is one of the most technically proficient players out there. What I would say,...
Er, you might be right. I think that was for another thread. So I've got rid of it. wipes off dribble all over T-shirt...
Frank Vignola talks about Birdland’s Guitar Night...
Today, 10:40 AM in The Players