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to me that guy makes the nicest looking archtops today and his finishes are the best too
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06-02-2022 03:59 PM
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Absolutely stunning. IMO, his guitars are the most beautiful archtops ever made, and each one is unique. I don’t know how he does it, from the more traditional design of his Broadway model, to the D’Aquisto- inspired designs like my Model E, to these completely original designs that are modern and classic at the same time. For now, I hope they are heading into the hands of players, but someday they should be on display at the Met.
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For all those Trenier admirers- here is a link to Bryant playing two recently completed Archtops.
Page Not Found • Instagram
Enjoy
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Here's my in-progress Jazz Special as of this morning. I asked for an unbound fingerboard. A clean '1948 DeArmond FHC pickup is going on this guitar.
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Looking nice Dave. Keep us posted on the progress.
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Amazing I much prefer a bound fingerboard and preferably one that has a wider binding profile or multiple layers. The only issue for me as a repairman is they are more work to refret than an unbound.
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Is that a maple top? Laminate or carved? How does that change the acoustic sound compared to a ditto spruce top?
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Originally Posted by RJVB
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Originally Posted by gitman
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Originally Posted by gitman
AKA
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Heading to the spray booth next week. These shots were just posted by Bryant to Instagram.
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It’s nice that Bryant is still producing 18” archtop’s! That Continental was gorgeous!
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Just had a nice conversation with Bryant today. He just attended a Pasquale Grasso concert in Nice ,France.
Pasquale is currently touring Europe and using a laminate PG Trenier Special model, with an old DeArmond floating pickup attached to the neck. This guitar is different from his solid carved Trenier PG model.
Pasquale told Bryant he played at a venue where he opened up for Jeff Beck - with 5000 people and this guitar did not have any Feedback issues at all …. and he loves the acoustic tone when playing it un-amplified.
Bryant has only made a few of these , but he says the demand is increasing for this laminate floater……which has a warm woody vibe acoustically - and no feedback issues when played amplified. The guitar’s un-amplified volume approaches that of a modern X braced carved Archtop.
The inspiration for this guitar came from a photograph Bryant came across - of a D’Aquisto laminate that was never cut through the top for a mounted pickup. Jimmy may have been on to something.
For those who remember - Bryant’s Jazz Specials are a clone of the original D’Aquisto Special provided to him from owner Perry Beekman.
Bryant will be making me one - it’s a win win.
Here is a pic of the guitar that Pasquale is using throughout his European tour.
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Originally Posted by QAman
Are you getting the controls mounted on the tp too?
I guess PG ordered it that way, wouldn't be my choice though.
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Originally Posted by wintermoon
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Originally Posted by QAman
Will you specify the maple or spruce top layer? Do you hear a difference between the two?
AKA
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Originally Posted by AKA
I was just playing my Trenier special ( acoustically ) from the first batch of 4 made. Mine has the built in lollar imperial pickup. Its serial number 1117 , and it too, has a warm woody tone. A very pleasing effortless playing experience, I love it like the day I bought it. It's a laminate unlike others.
These laminates are lighweight builds, and not anything like a heavier Gibson ES series guitar. They have a different timbre, which I find to be very warm and soothing to the ear. Think Jim Hall.....and that's the tone. Pasquale makes it sound like a piano at times.
Ive only played the 4 maple tops from the first batch, but have heard a recent video of the spruce top with the Biltoft CC ( played acoustically ), and it sounded fantastic. If it wasn't already spoken for .......it would already be in my collection.
Sent from my SM-P610 using TapatalkLast edited by QAman; 07-19-2022 at 09:45 PM.
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Originally Posted by QAman
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may I suggest to move them two inches towards the strings and have
them made from the same wood as the tailpiece.
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Bryant posted on Instagram at the weekend that he has made new tailpieces and pick guards for two of Pasquale's guitars. Pasquale mentioned in the recent Jazz Guitar Today interview on YouTube that he was minded to move to a more conventional controls on the pickguard arrangement.
Last edited by David B; 07-20-2022 at 05:14 AM.
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Originally Posted by Filmosound 621
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We're going with a dark vintage sunburst for my Jazz Special, using this image of a vintage mandolin as a jumping off point.
Last edited by David B; 07-20-2022 at 05:34 AM.
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Originally Posted by AKA
I was wondering about that laminate. Taylor recently released a solid-maple-topped guitar and from what I understand it doesn't really sound very loud acoustically.
What's used for the other (2 or 3 or ??) layers?
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Originally Posted by David B
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Last edited by QAman; 07-20-2022 at 06:48 AM.
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Originally Posted by RJVB
Martin Guitar also uses hide glue on the "Authentic series" guitars.
The vintage purist believe hide glue enhances the tone of an instrument........maybe they are correct. It's crystallized structure is said to be an excellent conduit of sound producing energy.
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PSA: Sadowsky Jim Hall in Koa!
Today, 12:09 PM in Guitar, Amps & Gizmos