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I actually kind of like the idea, though I think it really needs a fairly different treatment from trying to be Monk-ish. Anyway, here's my crack at it. Stream Blue Mink by John Albin | Listen...
If that LHT and I were in the same country, it would be mine by now. (If I hadn't just lost my job and been landed with a $20,000 bill to fix the sewer line in our Seattle house.) It has fanned...
You're probably right about that. I haven't looked at this one side by side with a Standard or Custom yet, so I don't know how it stacks up. Because of the P90s, tone would probably not help in...
Just as there are many different ways to play jazz guitar (Some cats who dig Wes Montgomery cannot stand Blood Olmer for an example),there are many different tools one can use to play jazz guitar. ...
it sounds jazzy in band in a box. its because ii V I?
Nah that’s a big old ii-V-I in G. Bar one is a big Am7 with some common upperstructures. Bar two is D9 with some common upper structures. Bar three is Gmaj7 but walking up diatonically which...
I’ll try and make it work later today. I feel like it probably could?
Yeah that’s not a super uncommon change. Common reharmonization in the first bar of the second A in a lot of versions of I Should Care. Though they use it as part of a cycle there. Also some...
Definitely out of the ordinary, but beautiful! I've always loved the look of the scroll design on F-style mandolins.
Not that anyone asked but at a glance it’s a short Quiescenza in Dm (Dm Gm/D C#o7/D - classic Bach prelude move see also bwv999) followed by a move into the dominant of Am (E7) via a 6 4 chord (Dm/A...
I like amp reverb but I never use it when I'm recording. The problem with recording with amp reverb is that it eliminates all of your post production alternatives. If it sounds good then all is...
yes you are right it let me use F#m7b5/C , it fits. Before I was using cmaj 9 , and both sounded related in the harmonical context of the chord. Thanks! does it makes any sens to you, that i...
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It doesnt let me the C6#11 I dont know why it let C7b5 C9b5 c7#11 C9#11 etc but it doesnt offer any possibilities for 6 chords, only C6
C6b5 is the same as Am6/C or F#m7b5/C. I think those would be more familiar It’s a very nice chord, usually on bVII leading to a VI7. Sent from my iPhone using Tapatalk
any analysis for this chord progression?
Today, 11:38 AM in Comping, Chords & Chord Progressions