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Sort of like Seinfeld. Back in the 80's I was working so much I had no idea what was on tv, because I didn't even own one. When I got married in '89, my wife said she had to have tv. So over the...
Have you listened to his more laid back accompaniment of Samara Joy?
https://www.youtube.com/watch?v=JAY5_VglJGA
Well, there's both good news and bad ( but also good news). The book arrived today and I find it much easier to look at then the pdf on my phone. In either case I try to memorise the tune asap. ...
Nice. The bands are diverse but connected. I really enjoyed the “&Fusion” trio. I will investigate them, thanks. The quartet “Bodies” with the dancer is quite good also. Should be a fun festival.
That has always been the fun part about building custom instruments for artists. Trying to bring the sound in their head, the look in thier heart, and the budget in their wallet ... into happy...
You could make the argument that ‘power chord’ is less a form of harmony and more a form of orchestrational doubling See also acoustic overtone spectrum… Sent from my iPhone using Tapatalk
Yeah man. Very nice tune and playing. I was more sailing the vast open sea under a star filled night sky than diving the depths when listening. The tone/sound reminds me of early ECM players like...
:biggrin-new::biggrin-new::biggrin-new::biggrin-new:
Try thinking of the basic chord shapes, they will indicate the chord's nature: major, minor, dominant, etc. (keeping chord synonyms in mind) So for example, sticking with 1-3-7 & 1-3-6 voicings...
Umm, did you see my question jzucker?
Some little tidbits of sound. Nothing to get overly excited about- actually, I tend to doze off myself when I listen back to it. Maybe it’s a cure for insomnia and I just need to find a way to bottle...
A set of GHS 1810's compound wound .12 .16 .24 .30 .44 .54 went on every Barker Guitar out the door. The strings used by the late Johnny Gray and the only strings I used my first 15 years playing.
Looking forward to trying these.
Improv over Billie's Bounce
Today, 01:34 PM in Improvisation