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08-31-2011, 02:29 AM
| | | | Join Date: Sep 2010
Posts: 476
| | This is thw "woodiest" guitar tone i have ever heard | 
08-31-2011, 03:56 AM
| | | | Join Date: Jun 2011
Posts: 918
| | Hmmm, this predates his use of the Ibanez GB model by about a half dozen years. I know he had a D'Angelico around that time, and he played a Guild a lot in that era, among them an Artist Award if I'm not mistaken. But he played a lot of guitars back before his deal with Ibanez. Everything from the D'A to Charile Christian Gibsons to Guilds with the fixed pickups; Guild pickups have a real nice sound to them. At some point he used a Starfire (double cutaway). Nice sound in the recording, a little hard to tell when you put heavier flat wounds on whatever he's playing.
But it's definitely not the Ibanez in the photo.
David | 
08-31-2011, 06:12 AM
| | | | Join Date: Jul 2011
Posts: 320
| | I'd love to know what Guit/Amp combo he was using on the Benson Burner recordings.
My fave Jazz sound. Sounds like a bigger body to me and he's really pushing the amp. I mean.....there IS some body tone.
Although there is definitely a lot of outboard shenanigans going on. Perhaps that's where ALL the distortion came from.
Pushing the front end of a Neve or a Pultec and then some LA2A slamming.
Great sound.
Fresh and exciting. | 
08-31-2011, 08:22 AM
| | | | Join Date: Mar 2010
Posts: 600
| | Benson is a Baaad Cat check out 1:52 on that utube !!! | 
08-31-2011, 09:27 AM
|  | | | Join Date: Feb 2011 Location: A Coruna, Spain
Posts: 283
| | Yeah, that woody tone would flame nicely in my chimney...  | 
08-31-2011, 10:30 AM
|  | | | Join Date: Jun 2009 Location: Berlin, Germany
Posts: 385
| | Beautiful! Is that available on CD or where does it come from? | 
08-31-2011, 10:56 AM
| | | | Join Date: Jun 2011 Location: London, UK
Posts: 102
| | Fantastic. One of my favourite tones in jazz, for sure.
I LOVE his playing/sound on Benson's Cookbook. One of my favourite albums. He was on fire and Lonnie Smith is awesome too. | 
08-31-2011, 12:50 PM
|  | | | Join Date: Sep 2008 Location: Shelbyville, Kentucky
Posts: 1,704
| | That's got to be a big box archtop that's making that sound. If you listen closely, there are some areas that sound like Johnny Smith's tone which leads me to believe that the guitar he's playing may be his D'Angelico New Yorker. I've seen pictures of him holding on to it. That's the most incredible sounding archtop I've ever heard and the sound I've been searching for and chasing for years. | 
08-31-2011, 02:26 PM
| | | | Join Date: May 2010
Posts: 80
| | Quote:
Originally Posted by hot ford coupe That's got to be a big box archtop that's making that sound. If you listen closely, there are some areas that sound like Johnny Smith's tone which leads me to believe that the guitar he's playing may be his D'Angelico New Yorker. I've seen pictures of him holding on to it. That's the most incredible sounding archtop I've ever heard and the sound I've been searching for and chasing for years. | Yeah, it sounds like a floater to me. Which guitar? I'm not sure. But it certainly sounds great. | 
08-31-2011, 03:30 PM
|  | | | Join Date: Aug 2009 Location: New Jersey, USA
Posts: 260
| | Before he had the GB-10, Benson played an Ibanez Johnny Smith double pickup "lawsuit" copy. I've seen it on numerous older videos on U-Toob, but can't find a quick link to post. | 
08-31-2011, 04:31 PM
| | | | Join Date: Jun 2011
Posts: 918
| | He had so many nice guitars. Some pictures of him with a super 400, and those lawsuit Johnnys, they were HEAVY! I had one before I got a Gibson, traded it as part of the deal actually, and the Gibson was so light!.
A few years ago, there was an auction of his guitars. I think it was charity benificial in some way. But invitations came out to the viewing before the auction. It was spectacular. Each one of them was a lifetime's dream for anyone else. All there together. All being sold.
David | 
08-31-2011, 07:25 PM
|  | | | Join Date: Sep 2008 Location: Shelbyville, Kentucky
Posts: 1,704
| | Whatever it is, it's got to be one of the best sounding archtops I've ever heard. That to me is the traditional sound of a quality archtop. | 
08-31-2011, 07:40 PM
| | | | Join Date: Jul 2011
Posts: 320
| | I agree. I haven't heard anything better than this. I've heard "slicker"......say Bensons later tone on the GB10 or Chuck Loeb on certain recordings when he does use an arch top.
But that old Benson tone has a rawness to it that makes the sweet passages even more emotive.
It's that old balance thing.
1 Sweet tone + sweet song = to sweet
2 Raw warm tone + sweet song = yeah
Interesting that the performance is live and there is no hint of feedback from the guitar given that there is some drive going on.
Theory.....distortion added after performance with outboard gear or re amping?
Same engineer who got the sound on the recordings of George during that era?
I mean.....that isn't a 2 track recording by the sound of it. It's a multitrack and that would allow some post tweeking.............which ALWAYS happens. | 
08-31-2011, 10:21 PM
|  | | | Join Date: Jun 2009 Location: Berlin, Germany
Posts: 385
| | This is a little OT but it might still be of interest. I was trying to find the whole recording of this concert somewhere in the www, unfortunately without success, but I stumbled across this site that offers quite a lot of bootleg recordings for free download. :: JazzFusion.TV - official website :: Bootleg Audio
Now if anybody ever finds a recording of this 1972 concert, please post the link here. | 
09-02-2011, 02:42 AM
| | | | Join Date: Jul 2011
Posts: 320
| | Just listening to the overall mix today and this is no el cheapo live recording.
This is definitely mixed after the performance with much effort and attention to detail. Listen to the way Bensons guitar sound gets louder in certain passages.
All the levels are being ridden and there's compression all over the place.
Listen to the cymbals breathing at the end. Also the hard panning and placement of the instruments.
That guitar tone was probably great anyway but it has definitely been mixed.
There's probably Neve preamps and vintage compressors in use.
My point being if a mere mortal wants THAT guitar tone it's not just a matter of a great player plugging into an amp.
Most recordings are an illusion to some degree.
If your chasing that tone and expect to get it out of a nice guitar and amp I think you would come up short by a long shot.
Ain't gonna stop us from trying though! | 
09-02-2011, 03:18 AM
| | | | Join Date: Jun 2011
Posts: 918
| | Quote:
Originally Posted by Philco | I'm no authority by a long shot, but doesn't that look a little like a 330 with a humbucker and a piece of masking tape across the lower bobbin to reduce the click of the pick contacting the pickup?
If so the answer might be no.
David | 
09-02-2011, 04:22 AM
| | | | Join Date: Jun 2010 Location: Cast out of the Rainbow Village, USA
Posts: 403
| | | 
09-02-2011, 05:45 AM
| | | | Join Date: Jul 2011
Posts: 320
| | To quote Billy Joel, "You may be right"
Actually I'm not familiar with the 330.
But for this piece it sounds quite beautiful and is played with much feeling.
Round wound strings and a plain 3rd.
Interesting.
Also note just before he changes to pick he hits a pedal or something on the floor. | 
09-02-2011, 06:13 AM
| | | | Join Date: Jan 2011
Posts: 1,533
| | Quote:
Originally Posted by TruthHertz I'm no authority by a long shot, but doesn't that look a little like a 330 with a humbucker and a piece of masking tape across the lower bobbin to reduce the click of the pick contacting the pickup?
If so the answer might be no.
David | Its exactly that! He uses the pickup really close to the strings and uses the tape to stop that click.
The pedal is probably a Lehle he uses to turn on / off some of his pedals, his sound changes when he hits it. | 
09-03-2011, 06:20 AM
| | | | Join Date: Sep 2010
Posts: 476
| | | 
09-03-2011, 04:14 PM
|  | | | Join Date: Sep 2008 Location: Shelbyville, Kentucky
Posts: 1,704
| | Quote:
Originally Posted by jayx123 | I'm not sure which axe he might be using there but there's that sound. For those not familiar with how that sound develops, if you pick just over the end of the fingerboard and play at the 8th to 10th fret depending on how your instrument is made, you can get that sound. Then you need to fiddle around with the picking pressure/pickup volume ratio if you're using a pickup. Each guitar is different but that's the general way to get close to that sound. | 
09-03-2011, 07:12 PM
| | | | Join Date: Jun 2011 Location: London, UK
Posts: 102
| | It sounds similar to his tone on his early LPs like Uptown and Cookbook to me. Little more 'woody' perhaps. On a side note - aren't these adjectives we used to describe guitar sound kinda funny? What does wood sound like? Ah, the never ending quest for onomatopoeic ways to describe guitar tone. | 
09-03-2011, 09:08 PM
|  | | | Join Date: Jan 2011
Posts: 687
| | Quote:
Originally Posted by jayx123 | This is heavenly. I know which standard I'm learning next. Wow. | | Thread Tools | | | | Display Modes | Linear Mode |
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