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Well, it was only a joke but I can imagine so. Someone gave me a maga hat once but they are ugly and I don't vote so I put trash in it's place. I look better in purple and at this stage I'd rather 22...
I looked up some lead sheets. At least one had repeating bars of two adjacent M7's before the head came in so presumably that 'intro' is all part of the tune.
That did occur to me but I still felt some hesitancy through the lack of volume. But okay.
Yeah this is a weird gig. Awesome spot with a super engaged crowd where they have live DJs bring their vinyl collections a few nights a week. So it’s not exactly a straightahead gig but people who...
I guess it might be hard to know where the song comes in if you don’t know the song? Or maybe it wouldn’t be?
What you’re hearing with the sax is probably a function of the placement of the phone I was recording with. It was on the side with me and the bass. He was over on the other side. He was cranking.
I did a fun exercise where I took Sor etudes and changed the harmony using 6th diminished scales. edit: nothing "improv" about it though I guess
I don’t understand it now. Where is this in the book? Sent from my iPhone using Tapatalk
Start by listening to the same music interpreted by Rolf Lislevand and his, erm, band, already :rolleyes:
I think anyone should be able to afford a Parker Jotter ;) I know of several luthiers who build following Parker's "teachings", including one who's still in what appears to be the "goldilocks"...
Absolutely. First Doc, then Clarence, then Tony Rice, then everybody was at it. The latest popular incarnation seems to be Billy Strings who is very modern and does some very interesting things, love...
It was only an effort, perhaps clumsy, to demo the difference between the two senses of 'great', not a literal comparison of the Beatles and Beethoven!
Barry Harris "miscellaneous rule"
Today, 12:46 AM in Improvisation