The Jazz Guitar Chord Dictionary
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  1. #51

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    Quote Originally Posted by KingKong
    Peace to you Jimmy Smith
    Peace

  2.  

    The Jazz Guitar Chord Dictionary
     
  3. #52

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    Quote Originally Posted by Christian Miller
    On a serious note Bruce Forman suggests that students learn tunes in two keys - standard and a fourth down. The latter suits most female singers.
    Hasn't he been dead for years and wasn't he more of a dancer / TV presenter? What's he doing talking about jazz guitar?

  4. #53

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    Quote Originally Posted by KingKong
    Hasn't he been dead for years and wasn't he more of a dancer / TV presenter? What's he doing talking about jazz guitar?
    lol wrong Bruce mate (Forsyth).

    Autumn Leaves me wondering-4fa4fd75-ded4-4eb7-b2d9-f3dd752f6f85-jpeg

  5. #54

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    Here’s Bruce Forman - a very serious guy. Actually there is a slight resemblance...

    Autumn Leaves me wondering-f27a9c3b-9a6a-4885-b93e-12c5638d108b-jpeg

  6. #55

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    Maybe worth some discussion on the confusion concerning key,
    modulation, local key center, and CKT ("Chord Key Theory")...

  7. #56

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    Quote Originally Posted by grahambop
    Here’s Bruce Forman - a very serious guy. Actually there is a slight resemblance...

    Autumn Leaves me wondering-f27a9c3b-9a6a-4885-b93e-12c5638d108b-jpeg
    Wtf?! More than a slight, that is Brucey hands down!

  8. #57

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    Quote Originally Posted by KingKong
    Hasn't he been dead for years and wasn't he more of a dancer / TV presenter? What's he doing talking about jazz guitar?
    \

    Well he was a big jazz fan, actually. Very much into Bill Evans - true fact.

  9. #58

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    Quote Originally Posted by KingKong
    Wtf?! More than a slight, that is Brucey hands down!
    Wait a minute!

  10. #59

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    Quote Originally Posted by KingKong
    Wtf?! More than a slight, that is Brucey hands down!
    Only fair to show Bruce Forman playing (here he’s playing Barney Kessel’s guitar):


  11. #60

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    I should have picked this one, more on-topic!


  12. #61

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    Quote Originally Posted by grahambop
    Only fair to show Bruce Forman playing (here he’s playing Barney Kessel’s guitar):
    He's not even afraid of the dusty frets!

  13. #62

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    Quote Originally Posted by grahambop
    I should have picked this one, more on-topic!

    Well this brings the thread nicely back to its original topic.

    Kessel's autumn leaves I'm assuming played on that very same guitar is one of my favourite versions:


  14. #63

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    Some nonsense I charted out. Make of this what you will.
    Autumn Leaves me wondering-cycle-4-notes-jpg
    Attached Images Attached Images

  15. #64

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    Quote Originally Posted by Christian Miller
    Some nonsense I charted out. Make of this what you will.
    Autumn Leaves me wondering-cycle-4-notes-jpg
    FFS what's with the piano score, no one can read a note of it?!

    Where's the tab,not got time for this...?

  16. #65

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    Quote Originally Posted by Christian Miller
    Gm is the usual jam session key. Probably Miles fault. Trumpets like Gm/Bb.
    Or perhaps Cannonball Adderley is to blame? His late '50s album, Something Else (featuring Miles in a rare role as sideman) has one of the best known versions of "Autumn Leaves". It's also one of the first recordings in Gm/Bb. Adderley would have played a concert key chart in Em/G on his alto sax for the session with the result sounding down a major 6th.

  17. #66

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    Is there anyone that doesn't think Autumn Leaves' first chord
    is actually unsounded Em harmonic context for the anacrusis?

  18. #67

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    It sounds better in Em. Or even Dm.

    (ducks and covers)

  19. #68

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    according to this: History and Analysis of “Autumn Leaves”
    it was originally in Amin

  20. #69

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    Quote Originally Posted by supersoul
    according to this: History and Analysis of “Autumn Leaves”
    it was originally in Amin
    Yves did it in Dm, Edith in Bbm.

    What was that tomfoolery about not needing to know songs in different keys?

  21. #70

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    Quote Originally Posted by KingKong
    FFS what's with the piano score, no one can read a note of it?!

    Where's the tab,not got time for this...?
    There you go

    Autumn Leaves me wondering-65dad795-372f-456a-a13c-a67c53744c53-jpeg

  22. #71

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    Quote Originally Posted by KingKong
    FFS what's with the piano score, no one can read a note of it?!

    Where's the tab,not got time for this...?
    Get it together Kong! :P

  23. #72

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    Quote Originally Posted by Christian Miller
    There you go

    Autumn Leaves me wondering-65dad795-372f-456a-a13c-a67c53744c53-jpeg
    Right, who the hell is gonna know where all those notes are on the fretboard?!

    I said tab!

  24. #73

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    Quote Originally Posted by KingKong
    Right, who the hell is gonna know where all those notes are on the fretboard?!

    I said tab!
    that is tab innit

  25. #74

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    Originally Posted by supersoul
    according to this: History and Analysis of “Autumn Leaves”

    it was originally in Amin

    Quote Originally Posted by mr. beaumont
    Yves did it in Dm, Edith in Bbm.

    What was that tomfoolery about not needing to know songs in different keys?
    I was referring to the OP's version that "starts" with the Am7 but really starts with a silent Em harmonic context for the anacrusis.

    On knowing songs in different (or all) keys... imagine a song in Gb major, but you need to play an E major chord.
    Which of these ways do you see it?

    - the E major is seen as E G# B because EGB's intervals are stacked thirds, so you disregard the song's key signature of Gb major?
    or
    - the E major is seen as E nat Ab Cb, disregarding it as stacked thirds because EAC are the notes of those pitches in the key of Gb major?
    or
    - something else (apart from by ear) ?

  26. #75

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    Quote Originally Posted by pauln
    Originally Posted by supersoul
    according to this: History and Analysis of “Autumn Leaves”

    it was originally in Amin



    I was referring to the OP's version that "starts" with the Am7 but really starts with a silent Em harmonic context for the anacrusis.

    On knowing songs in different (or all) keys... imagine a song in Gb major, but you need to play an E major chord.
    Which of these ways do you see it?

    - the E major is seen as E G# B because EGB's intervals are stacked thirds, so you disregard the song's key signature of Gb major?
    or
    - the E major is seen as E nat Ab Cb, disregarding it as stacked thirds because EAC are the notes of those pitches in the key of Gb major?
    or
    - something else (apart from by ear) ?
    Oh, totally agree on the starts on the tonic minor part.

    My post had nothing to do with yours, it was meant to give some shit to Kongzilla.

    If anybody thinks this isn't a minor key tune, they've never listened to it.