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11-13-2024 10:07 PM
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Originally Posted by Cunamara
Sent from my iPhone using Tapatalk
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The old Cardex fakebook which was around from the mid 40s, or so I think, did not, iirc, have m7b5 chords. Instead, there were lots of m6 chords. I would guess that the early boppers were familiar with charts like that.
What I am curious about is how it changed.
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Thomas Echols has just published his third little book on how to go from somewhere to anywhere using Berry Harris device devices. Good stuff. His first book was on the harmonic aspects; his second book was on the monophonic aspects. His third book is practical application: start somewhere, go anywhere. Using, for example, the following-
H Devices
Half step rules
Pivot
Up or down in thirds
Up or down the chord
Down the scale
Arpeggio from the 5
“3”
“4”
Half steps with a triplet
Up or down the triad
Tritone
Neighbor tone
Tritone’s Minor
Borrowing (6th chord and dim)
Chromatic run
Up or down the chord with a half step
Up a 3rd with a neighbor tone
Down a triad with a half step
Pivot with a half step
Arpeggio down from the 7th
Half steps rules with 8th note triplet
Tritone’s minor in 3rds
Minor 6 from the 5 in 3rds
Down a third to the Tritone
Up a 3rd with half step rules
Up the diminished chord
Down the diminished chord
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Links to these books?
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volume 3
https://www.thomasechols.com/scores/p/foundations-iii-what-can-i-do-with-x-pitch
The other two can be found on the same site
Tim Bram Tribute thinline archtop jazz guitar
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