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I think he just wanted something discordant at the start. What better over a M7 than the #11, b2, and random augmented triads :-)
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11-14-2018 08:30 PM
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Originally Posted by Cunamara
But this intro chords are not compex in my opinio... good musical imagination.
Jazz harmonies in my opinion in general are audibly much simpler than they are described usually.
As I said above -
left hand is two arpegiatted flattened major triads plus 2 in each - and right hand is all diatonic.
It is important to look at texture too and rythm - what falls on weak and strong beats
I even think that his playing is very straightwardly classical here.
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Originally Posted by Jonah
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It's not related to key (at least as a fragment)...
striclty speaking it is natural against flat..
But also sort of anachronistic thing... natural is C major, B flat and E flat are flat ... A# and F# are sharps...
In that sense C natural is diatonic ... all falt and all sharp becomes chromatic.. it is a second level of opposition
His thinking here is that kind of thing... anachronistic and emblematic: literally black and white keys of piano... very pianistic solution and playing
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Slash chords. Specifically, using common consonant "shapes" in the right hand along with an "unusual" bass note for new sounds that can't really be named because they are their own thing. As for the origin, maybe he was listening or studying something with these sounds... not sure.
-B
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These chords are, surprisingly, playable, more or less, on guitar.
x12200. x53500 (needs a low Gb, which I can't reach).
And, the bass line sounds good with it. But, the chord name is incomplete. Sounds phrygian.
The first chord looks a lot like Esus/Bb.
I don't know how to analyze it.
Alnico 2 vs Alnico 5 tone
Today, 11:11 AM in Guitar, Amps & Gizmos