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On Dm7b5, we relate to Bb7. We play Bb7 scale (which is the same notes as C natural minor)
Thats interesting , do you ever think of it as the 'back door'
On the G7b9, we run the Bb7 scale to the third of G7.
slightly confused ..... the third of G7 is B natural innit ?
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08-10-2019 04:56 AM
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Originally Posted by pingu
Check out the YouTube channel ‘things I’ve learned from Barry Harris’. He covers all this stuff really well.
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Originally Posted by pingu
But there's a lot more to it than that. First of all, it's the simplest way to learn to play HM over that change, as a beginner, period. It stacks those seven notes in that smaller interval which avoids the augmented 2nd, it's really easy to hear and play, and most of all, it gets you playing minor without any extra theory really. It's beautifully simple.
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Originally Posted by matt.guitarteacher
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Originally Posted by pingu
As is minor plagal.
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Originally Posted by grahambop
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I don’t think of the II V I as a turnaround because it ends on a resting chord.... I would think of a I II V as a turnaround.
Am I only the person who makes that distinction? I find it useful and teach it, but don’t know if it crops up elsewhere.
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You’re probably right, thinking about it.
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Originally Posted by matt.guitarteacherOriginally Posted by christianm77
Nice points.
Chief Xian aTunde Adjuah (Christian Scott)
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