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Yep that's very handy, and so is a list of chord scales. However, both leave a lot to the player in terms of how to make melodies. The only "system" beyond the list of upper structure triads...
As an aside, I think of key signatures as being more of a tool to make the notated music easier to read. As such it does not always indicate the key or the tonal center. Look at E.S.P. by Wayne...
Well that explains it, never did meet a bridge pickup I liked
In my book the L4CES is a highly prestigious instrument; I don't have one (or better yet, two) simply because in my (very) red neck of the woods, they are very thin on the ground, to the point I have...
Here are a few: Top Left - Comins Classic; Bottom Left - Trenier Artifex; Middle - Comins Zelig; Right - Buscarino Monarch
Check out Milestones, the tempo is noticeably slower by the end.
Pittsburgh Pennsylvania PM sent
Shipping: -The zip code is 15143 being shipped from. -Fender Princeton reverb box dimensions 24"×20"×14". -Assume 40 lbs. - Optional Outer FedEx box diamensions 24"×24×18".
Another one from the archives (2009): A Michael Abene chart of Bill Evans' 'Rattletrap' WDR Big Band feat. Bill Evans, Dave Weckl, Mark Egan. Guitar Solo at 08:34 :smile-new:
Can’t play the right chord scales and the rhythm section speeds up? Bloody rubbish! Who are these amateurs?
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