A while ago I made a transcription of a Joe Pass solo fingerstyle version of Joyspring, as I was fascinated to know how he made this into an effective solo guitar arrangement (I worked it out from that youtube video where he plays to some people in a guitar shop, plus bits from another version he recorded).
It’s an absolute pig to play, I still can’t play it properly. Increased my respect for Joe no end. Especially as in the youtube video he starts talking while he plays it!
Here's laminated spruce top, lam maple back & sides, 5-piece maple neck, and ebony board in 175-sized object
https://www.youtube.com/watch?v=KPsrJyu5C40
Sort of. If a single chord becomes a chord pattern, then the question becomes what types of chord patterns work well in that harmonic context. The avoid note of the original chord now is not heard...
Even the heaviest baritone sets (eg 16-70) generally seem to come with a plain 2nd string (tuned to F# or E ?) of max. 22 gauge, the exception being some Newtones, apparently (22w). But the 2nd...
So, the idea is that the chart says, say Cmaj7, but somebody is going to play Cmaj7, A7, D7 (or is it Dm7), G7. So, the avoid note in C is an F, which occurs in the G7. Since the F is contained...
Joe Pass was a fan of Danny Gatton, I hadn't heard of him before he mentioned him (right after Gatton's first album was released).
Re: the topic of this thread.... If I wanted to illustrate the...
Yes, I used to hear him around DC in various jazz clubs. While he was well known for the country/chickin' pickin' thing, he seemed to prefer playing jazz standards. There used to be a jazz brunch...
New Campellone Standard on Reverb
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