A while ago I made a transcription of a Joe Pass solo fingerstyle version of Joyspring, as I was fascinated to know how he made this into an effective solo guitar arrangement (I worked it out from that youtube video where he plays to some people in a guitar shop, plus bits from another version he recorded).
It’s an absolute pig to play, I still can’t play it properly. Increased my respect for Joe no end. Especially as in the youtube video he starts talking while he plays it!
I looked at the pickup openings and it looked solid. There is a strip of thin wood under the bridge, but not under the whole top.
And I played my EEB and my L5ces alongside an Aria Pro II PE180...
I love Ben Webster. I have never heard any guitar player approach what Webster does. Regardless of the instrument played, Webster was a unique, individual talent.
I do hear the slight similarity...
I just took a Quick Look at prices in the UK and the rest of Europe and the prices seem normal The Tours & Premier is like Squire or Epiphone they are designed to get you into the guitar market in...
Of course GG had drug issues, broken relationships etc., so did nearly all the jazz musicians back then, it was a tough profession. Has nothing to do with his playing. Some of them found the drugs...
Ah, yes - and the reverse can be true too; sets with a wound 3rd intonate a lot better on saddles that have obvious micro-compensation with the contact point for the 1st and 3rd strings at the same...
Yeah this is an obvious thing about the blues.
But even with funk, R&B, and what we’d probably call Smooth Jazz—there’s a much more porous boundary between these and straightahead jazz than we...
And then he plays Oleo.
Blues has been a part of jazz since the beginning. Lots of artists in the sixties and beyond looked for inspiration in other forms of black music, R&B, funk, soul, etc.
...
Ben Webster
Today, 02:23 PM in The Players