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This version is next in line for me to learn from. Love Tony Bennett.
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01-04-2025 07:23 PM
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Originally Posted by guitarvegas
Learn the melody.
Then learn to play the chords in shell voicings.
Stick with that.
Out of curiosity, what is the resistance to just learning a couple chord voicings and doing the thing?
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Originally Posted by guitarvegas
or if you're too lazy/adverse to getting a teacher to guide you, go online and learn the basics.
unless you have an extraordinary ear and are able to figure out chords w/out a teacher it ain't going to happen and all the clips you've posted so far bear that out.
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There's some hope here, but you're still expecting a year's growth in 24 hours.
Play the melody or sing it. Not both.
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Originally Posted by mr. beaumont
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Right now, this guy is my teacher. It's simple enough to comprehend, it is in the key I want to sing in, and it will give me what I need. I would much rather be working out a simple approach to chord melody (like this), so I can sing the melody with it. For now, this is what I needed....and Vince is gonna help me along!
Once I have this well understood, and can play it without thinking, then I can personalize some of it and make it my own with little embellishments (as needed).
For me, this is an approach that I can actually achieve with. I dig this old guy....he's got class.
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You're finally starting to think musically.
Good luck working on this beautiful ballad.
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Originally Posted by kris
Last edited by guitarvegas; 01-07-2025 at 09:25 AM.
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Originally Posted by guitarvegas
And Vince Lewis is making me feel all boxed in. He is playing it right, but I am not sure he will help me too much.
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Wow! This guy.
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Originally Posted by Mick-7
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One thing I am starting to do with this.....these moments of discovery are always great:
I started to play along with the Tony Bennett version of this song. And you know what, it's in a different key, and where I started playing it was an unusual spot on the fretboard which led me to playing a different pattern. Then I found two more patterns on other areas of the neck, and then I began to understand that these patterns will all connect together and can be interweaved. And I thing that is the beginning concept of how jazz solo's operate.
I will continue to explore this finding, and try to apply it as I work out this melody. I will be back sometime later if I can get it to a good place.
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This is a snippet from a recording I made today. It was the only part I liked. When I sing this and try and play some sort of chord melody with it, I get lost on the chords so I keep pausing to try and find my way back. But this part I liked, so I looped it. Every little thing is progress, right....?
These Foolish Things v4_mixdown.wav - Google Drive
Roy Hargrove
Today, 08:54 AM in The Players