The Jazz Guitar Chord Dictionary
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  1. #1

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    Is there a mistake in the head transcription of Now's The Time in the Omnibook for C instruments? For the turn on the Gm, I've been playing something starting from G, going to G# and back down again, with my lowest note in the phrase being C below. The Omnibook has it as a twiddle between Ab and Bb, and their lowest note is a B.

    I realise it's very likely I've got it wrong, but would be nice to learn otherwise!

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  3. #2

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    I’ve found there’s a bunch of variations on this head.

    What bar of the transcription are you talking about?

  4. #3

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    This is bar 9 on variation 'no 2'.

  5. #4

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    Do you know what recording this is from?

    I searched Savoy 2201 on YouTube and Billie’s Bounce came up, something going on there.

  6. #5

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    He definitely plays an Ab, not a G. The lower note is usually played as a B but in the recording it’s really hard to tell, it’s a grace note that’s felt more than heard.

  7. #6

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    @setupmupjoe - many thanks! Guess i need to re-adjust my fingering here.

    @AllanAllen - the Omnibook claims the same head is used in both variants. The slow one is here, but here they only play the head for one chorus, not two:



    Then there's the faster variant, which I'm more interested in since I prefer the solo


  8. #7

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    I usually bend the G there instead of a trill.

    Though I’m not surprised to learn I’m off.

  9. #8

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    Quote Originally Posted by AllanAllen
    I usually bend the G there instead of a trill.

    Though I’m not surprised to learn I’m off.
    Me neither, about myself I mean. I didn’t think bending was allowed

  10. #9

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    No bending is YouTube BS. Listen to the records, Charlie, Barney, Herb and Kenny Burrell bend all the time.

    Illinois Jacquette’s contribution to the jazz language was slurring into a note from below on saxophone. We call it bending they call it slurring.

  11. #10

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    Quote Originally Posted by AllanAllen
    No bending is YouTube BS. Listen to the records, Charlie, Barney, Herb and Kenny Burrell bend all the time.

    Illinois Jacquette’s contribution to the jazz language was slurring into a note from below on saxophone. We call it bending they call it slurring.
    They call it bending too