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Originally Posted by Mick-7
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08-02-2024 01:01 PM
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Originally Posted by AllanAllen
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Originally Posted by Mick-7
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Originally Posted by Mick-7
And what my ears say is now I’ve listened to Guy’s slow down version again and what sounded like an F# earlier sounds like an F natural now :-)
As you were…
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Originally Posted by Christian Miller
Originally Posted by AllanAllen
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Originally Posted by Mick-7
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Originally Posted by AllanAllen
Mick was referring to that Ab minor but that’s the second bar, and falls on the end of the first phrase. It’s F natural and a rest on that chord.
The second phrase fits more over bars 3-4 w a little pickup in bar 2. So Eb7 fits clean over what is usually Eb Db C7, or Gm7b5 C7… and Eb7 is a pretty tried and true bebop sub over those changes (basically a minor ii-V to the ii chord in the home key).
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Originally Posted by AllanAllen
Then again, if we modify your statement from "in jazz" to "in bebop," you could be right.
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Originally Posted by AllanAllen
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dig it, open strings!
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And where is K.B. now? In jazz prison.
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Using the original Parker version, I've tried to slow down, but get as clear a recording as possible.
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I'm not sure if the note in bar five is the note G or F.
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The last note? It's a G dotted quarter note, but slightly flat, due to either the slow downer app or because Miles (the human slow-downer) intonation is off. The G is followed by an F (8th note).
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Originally Posted by Mick-7
Thanks.
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After careful listening of a slowed down Dewey Square, I think the third phrase is easy, it's this:
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Thought I may as well post a take even if it wasn't perfect. I like this song, it's a good not too hard Parker jam that isn't overplayed.
Last edited by Bobby Timmons; 08-20-2024 at 09:28 PM.
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