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Before the cascade of delays, overdrive, etc., Holdsworth played jazz as well as pop music in various groups in England. Here he is playing with a jazz group on the BBC on 6/9/74. It's really interesting to hear him playing with a straightahead clean tone (I assume this is with his SG). He was fleet of fingers then but not quite as legato as he became.
And leading off on violin:
and "Kinder" which reappears as "Fred" with Tony Williams Lifetime:
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11-28-2021 02:08 AM
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From the internets apparently he played an SG til about 1976, then moved over to Strats. Good tone.
I like those pieces a lot. I didn’t know he played violin…he was pretty damn good on that, wasn’t he?
Here’s the thing, though, for “straight-ahead” jazz Holdsworth was a bit too “notey”, for the general public anyway. Most of the really popular players played mostly with restraint, or at least a sense that what they were playing was not that complicated, even if it was. Holdsworth didn’t really hold back, did he? So obviously he was more suited for playing fusion, which really valued such an approach. (I guess the above is fusion of course, but more early RTF fusion, not later more rock-oriented stuff.)
He played with Bill Bruford in several bands and with Jean-Luc Ponty—some of my favorite stuff from the later 70’s.
He certainly played and recorded a lot, and had a great reputation, but his career wasn’t as successful (monetarily anyway) given his inability to be pigeonholed in a certain jazz category or to play smooth jazz or whatever was popular at the time.
I personally wish he had stuck it out with UK. I think that band had the potential to be one of the greats of the era, i.e., what Asia could have been without all the pop gloss. Or if he had joined Zappa as the “trick guitarist”….that would have been something.
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This interview reflects the frustration Holdsworth had with the music business:
Guitar Like A Saxophone (Guitar World 1987) - Allan Holdsworth Information Center
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Synchronicity, this thread appears when just yesterday I was watching the Soft Machine live in 1974 video. I recently bought an SG, at least partially because I dig the Holdsworth tone from this era. He already had alot together playing wise in 1974. And I love how he’s playing those legato lines with a dry, low gain sound as mentioned.
I have used my SG in some of the virtual jams on this website. Like on the latest one.
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There is something great about the SG sound. Many years ago I had an opportunity to buy a 60s SG but was flat broke in those days (my "salad years" during the Reagan recession) and had to pass. Bummer, it was a great guitar.
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Holdsworth moved on from the SG, but he sure did good things while he used it.
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“I personally wish he had stuck it out with UK. I think that band had the potential to be one of the greats of the era, i.e., what Asia could have been without all the pop gloss.”
I see your point. But that would have deprived us of Bruford, especially the album One Of A Kind, one of instrumental rock’s great masterpieces. That said, the first UK album is also a masterpiece and I wonder how they would have developed had the original lineup remained intact.
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Originally Posted by L50EF15
The economics of music and particularly jazz are terrible.
Allan ended up with no guitars and other equipment multiple times, having to sell it for things like rent and food and paying for recording. There may have been more money raised in the GoFundMe campaign after he died than he ever had at any one time in his whole life.
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Originally Posted by Doctor Jeff
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Originally Posted by Cunamara
Originally Posted by L50EF15
Originally Posted by Jazzism
Playing live and getting the best sound from the...
Yesterday, 02:08 PM in Guitar, Amps & Gizmos