Hey guys,
This thread reminded me a a chart I have that you might be interested in.
This is a composition by Joe DiOrio called, "Blues for Bela" - that's Bela Bartok, and obviously it's a bit outside.
Joe played this a few times for us at G.I.T. back in 1978-79, and my roommate, David Carlson from Sweden transcribed it. He then showed it to Joe who confirmed it was accurate. Then, for our GIT class of '79 graduation party, David and Joe got up and played it together. I think it was a highlight in David's life. Anyway, David shared his score with me, and now I'm sharing it with you.
Hope you like it. It's a bit bizarre, but the more you hear it, it grows on you. Enjoy!
Thanks for the Diorio stuff! BTW: For those of you the belong to eMusic, the "It's About Time" CD just became available a few weeks ago. However, in typical eMusic fashion, it is listed under Dom Moio (not Diorio!), who is a sideman on the album.
I was a '79-'80 grad of GIT. Joe was sporadically around and the only time we really got to see him play was when Pat Metheny came for a seminar and he and Joe played a few tunes. Watching them play made me realize how amazing Joe was, and also how good Metheny was. They killed it on standard tunes. Joe's an amazing person.
You guys beat me to Joe by a few years (GIT Class of 1987). Loved my time with Joe. He taught me one thing that has stuck with me all these years: "All's well that ends well". Great transcriptions. Thanks guys.
Ha! And I'll split the difference...GIT 1984. Joe was around once a week or so during my year...and he remains to this day one of my greatest musical heroes. I love his "To Jobim With Love" CD.
Joe has always been one of my favorites. He actually played with my uncle Wally Cirillo in the seventies. An album called solo duo. I met joe when I was 15 ...back in the seventies and studied with him briefly in Miami. I have studied his playing ever since...still learning...for me... the Coltrane of guitar...
My Sakura 175 copy has the post and no bracing. Actually it looks pretty shoddy and with the fake humbuckers! I don't believe the post is a repair for a sunken top, I think it's instead of bracing...
The arch top is stiffer than a flat top, and the f-holes allow it to move in a piston-like way. The bracing adds to this motion. This is nest for the mids. It affects violins and mandolins, as well....
Part 2 Secrets to McCoy Tyner using 4ths, pentatonics and Side-Stepping over Gm7, Modal
Secret to McCoy Tyner Part 2 using side stepping and 4ths over Gm7
In this etude, we are combining...
Gotta laugh at the Paul Gilbert reference. Since I started this thread a little while ago I did experiment with changing the angle of the pick to the strings. I'd have to have my guitar up pretty...
Bone actually conducts sound much better than wood. That's the main reason why bone is used on flat-tops. Whether the sound is better is a subjective opinion. I believe it depends on the guitar. ...
Hi Alan,
Thanks for your response. That's my understanding as well. I just thought it was interesting that F6o amounts to using the harmonized D natural minor scale over Dmin7 which implies a...
Hmmm... now that I've learned to edge pick I LOVE it, particularly the way that the pick does not catch on the strings nearly as much. I would suggest experimenting with pick grip and angle a bit...
I noticed a huge difference with bone. The tone you're hearing could absolutely be caused by the saddle. I don't recommend bone. It conducts extremely poorly and makes the sound worse imo.
Bruh JC sux bad. What importance is how skilled he is if his music is annoying af?
The most formidable multi instrumentalist work I've ever encountered is Elliott Smith's Either/Or album. He...
Gee, I hate to tell off on myself but I've been using them for at least 45 years. That said, they rough-up pretty good after a while. BTW I found a clip where a bassist put hand lotion on his strings...
Part 2 Secrets to McCoy Tyner using 4ths,...
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