The Jazz Guitar Chord Dictionary
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  1. #51

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    Quote Originally Posted by TOMMO
    I dig the way Duke arranged the horn section for guitar on this recording. Haven't found out how to do it yet:
    Ah, "Jumpin' Blues." That's one of the tunes Duke teaches at Sonic Junction.

    The opening chord sequence is: F F7 Bb6 Bbm6 F C7 F F7, which seems simple enough, but he voices each of those F (and F7) chords a different way! It creates a nice movement.

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  3. #52

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    how about some pee wee crayton!…dig this A side from 1954…opening riff remind you of anything??…haha



    pee wee also got in on the hucklebuck thing..the huckle boogie



    one of junior watsons favorite guys


    cheers

  4. #53

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    Quote Originally Posted by MarkRhodes
    Ah, "Jumpin' Blues."
    Composed by Jay McShann and Charlie Parker.

  5. #54

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    mcshann so very undervalued!!..and hip!….thats st.louis bird..a kid!

    cheers

  6. #55

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    Quote Originally Posted by neatomic
    how about some pee wee crayton!…dig this A side from 1954…opening riff remind you of anything??…haha
    I expected the answer would be Chuck Berry---and there is a family resmeblance---but the first association to hit me was, "My, God, that's the intro to the Beatles' 'Revolution'!"

  7. #56

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    Quote Originally Posted by Stuart Elliott
    Composed by Jay McShann and Charlie Parker.
    That's an unusual tune in that the first chorus doesn't include the head! And the head itself sounds like a backing riff. But hey, it works!

  8. #57

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    Quote Originally Posted by MarkRhodes

    The opening chord sequence is: F F7 Bb6 Bbm6 F C7 F F7, which seems simple enough, but he voices each of those F (and F7) chords a different way! It creates a nice movement.
    That's it: the chords are pretty obvious but he plays them through different inversions and changes position which makes it interesting (and tricky)!

  9. #58

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    Quote Originally Posted by TOMMO
    That's it: the chords are pretty obvious but he plays them through different inversions and changes position which makes it interesting (and tricky)!
    Right. But like other people who comp well, especially those doing anything in the Swing vein, he has his favorite moves. For example, he likes a voicing he calls the "gospel" chord and it looks like this (-let's say in F, the key of "Jumpin' Blues"):

    8-x-7-10-x-x

    You'll notice that the 5th is in the bass and that the root is the top note. It's a simple triad. But it's a nice voicing for swing-style comping and it blends with with other ones for creating a bass line OR for creating a nice inner-line. For example,
    if you play two beats of F this way, then an F7 voiced as 8-x-7-8-x-x, then a regular Bb6 followed by a Bbm6, you have a nice movement in the top line. Freddie Green did that sort of thing all the time.

  10. #59

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    Thanks Mark - I'll give that a try.

    I've watched Duke play this tune and he plays those opening chords on the first 5 - 6 frets though.

  11. #60

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    Quote Originally Posted by TOMMO
    Thanks Mark - I'll give that a try.

    I've watched Duke play this tune and he plays those opening chords on the first 5 - 6 frets though.
    The way he plays it here (-Sonic Junction) is 'down there' much of the time too, though he says if it's all down there it gets too muddy. The head is played at the low end, though it's on the top three strings (-for the most part).

  12. #61

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    Who's up for some Bill Jennings and Jack McDuff doing "Glide On"?


  13. #62

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    Quote Originally Posted by MarkRhodes
    The head is played at the low end, though it's on the top three strings (-for the most part).
    Yes that's the way I've seen him doing it.


    Quote Originally Posted by MarkRhodes
    Who's up for some Bill Jennings and Jack McDuff doing "Glide On"?

    One of my favourite twofers (two original albums on one CD): Bill Jennings and Brother Jack McDuff!


    Keep 'em coming!

  14. #63

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    Quote Originally Posted by MarkRhodes
    Here's a lesson in jump blues comping by Tommy Harkenrider. I really enjoyed this one. (I don't know Tommy and haven't bought any of his lessons, but this is a nifty quick lesson in comping.)



    thanks for this little Gem, Tommy Harkenrider is my guitar instructor and I've not seen this one before. I'll be working on it all day between pedal builds.

  15. #64

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    Quote Originally Posted by Shamblin
    thanks for this little Gem, Tommy Harkenrider is my guitar instructor and I've not seen this one before. I'll be working on it all day between pedal builds.
    It's a nifty lesson. The basic comp is fun---and flexible---but I need more work to pull some of the lines out of it that he does.

  16. #65

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    You may enjoy this short lesson on blues comping by Kirk Fletcher:




  17. #66

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    Quote Originally Posted by TOMMO
    You may enjoy this short lesson on blues comping by Kirk Fletcher:
    Whoa! That's hot stuff. I know some of those moves but certainly not all of them. That 'tremolo strum' is so cool!

  18. #67

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  19. #68

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    Ah, thanks for Teddy Bunn. "Edgar's Boogie" is a good 'un.

  20. #69

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    swingin killer guitar driven instro from johnny otis and his orchestra....guitar is pete "guitar" lewis..with ben webster on tenor sax...johnny o on vibes! cut in L.A. december 26, 1951 for mercury records




    cheers

    ps- pic of pete guitar lewis with jo horns..wailin an epiphone

    Jump Blues-petelewisu002528betteru002529-jpg
    Last edited by neatomic; 09-25-2015 at 06:30 PM. Reason: sp-

  21. #70

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    I have to learn some of these tunes.

    What sounds like a good starter-set of jump blues tunes to you guys?

  22. #71

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    Quote Originally Posted by GuitarGerry


    great track..guitar showcase..you can hear bunns guitar needs some bridge work…his note starts sitaring at one point!! hah..great octal tone

    cheers

  23. #72

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    Some Illinois "Texas Tenor" Jacquet, from 1942


  24. #73

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    A little Ruth Brown would not be out of place here.....


  25. #74

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    Quote Originally Posted by MarkRhodes
    A little Ruth Brown would not be out of place here.....

    obvious that louis armstrong had huge influence on her...

    he was the alpha... everyone else the omega

    cheers
    Last edited by neatomic; 09-27-2015 at 11:15 AM. Reason: clarity

  26. #75

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    Let's not forget this guy here: