I love this tune. I used to accompany a friend on clarinet on it before he passed away. The Duke Robillard version that the OP links to is really nice.
Here’s my attempt on solo guitar. I’ve been doing a lot more gardening than practicing lately, so it’s rough. I’ll try to work on finger mechanics and clean it up.
It's been awhile since i last logged in here, but there's a strange synchronicity in that i was just playing
'If I Had You' a couple of days ago, and here it is as this month's standard...
and so, off to the shed i will head, since there are still a few days left in the month!!!
In any case, here's a quick 'baseline' recording, playing the melody and changes from memory, and
without the benefit of my 2nd cup of am coffee:
Hopefully it will get a little better...
Last edited by dogletnoir; 07-25-2020 at 07:35 AM.
I put a StewMac Parsons Street humbucker in the neck slot of my MiK Broadway and love it. Then I put a Seymour Duncan PhatCat (?) --the P90 in the Humbucker form factor--in my Zephyr Regent...
I looked at the pickup openings and it looked solid. There is a strip of thin wood under the bridge, but not under the whole top.
And I played my EEB and my L5ces alongside an Aria Pro II PE180...
I love Ben Webster. I have never heard any guitar player approach what Webster does. Regardless of the instrument played, Webster was a unique, individual talent.
I do hear the slight similarity...
I just took a Quick Look at prices in the UK and the rest of Europe and the prices seem normal The Tours & Premier is like Squire or Epiphone they are designed to get you into the guitar market in...
Of course GG had drug issues, broken relationships etc., so did nearly all the jazz musicians back then, it was a tough profession. Has nothing to do with his playing. Some of them found the drugs...
Ah, yes - and the reverse can be true too; sets with a wound 3rd intonate a lot better on saddles that have obvious micro-compensation with the contact point for the 1st and 3rd strings at the same...
Yeah this is an obvious thing about the blues.
But even with funk, R&B, and what we’d probably call Smooth Jazz—there’s a much more porous boundary between these and straightahead jazz than we...
Ben Webster
Today, 02:23 PM in The Players