Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
D'Angelico electrics (the ones where John D'Angelico only made the necks) are NOT Excels. Those guitars were not even recorded in his ledger. The Style A, Style B, Excel and New Yorker models were...
Actually that's not true a lot except for The New Yorker was made by someone else out of plywood and he just put on the necks....A few months ago, I bought a vintage D'Angelico electric. I've tried...
Vince Magol, a lawyer, guitarist, and once-co-owner of Heritage talked about breakage. He said 2-3%. That includes all damage. Nothing will protect against an amuk forklift impaling a box.
Here...
The Korean made Excels are not identical to an original Excel at all.The originals were hand carved, solid wood archtops and the Korean made examples are pressed plywood guitars. I own an original...
The neck on the 59 reissue is pretty fat. That took me awhile to get used to. Some guys actually like that, I tolerate it. And with the skinny frets, unpotted pickups and light build, the 59 reissue...
I see a lot of "missing part X, which is like ten bucks..." nonsense. Just buy the damned part and install it yourself, and add the $10 to price already.
I know some forum members have stated this before but I never heard the difference people claim. I.e. input gain up doesn’t seem to make a difference in the level of compression or saturation. I was...
I have found that the tone is more balanced on the wedge and that I can hear it better. In fact, without the wedge, my Les Pauls sound downright muddy when played through the Bud.
Regarding solid...
Yours is also a great post with a lot of great info. I've also had a couple '70s 175s that were great but the most recent examples needed a ton of work. Maybe a '59 reissue would give me the vibe I'm...
This is a great post. The two 60's examples that I had may have been good guitars in the 60's, but they were not when they came to me. The two 70's examples that I had were great, but that was long...
McCoy Tyner style Pentatonic sequence with 5ths,...
Today, 09:35 AM in Improvisation