Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
I want a guitar to play basically Charlie Christian/Django/swing/blues stuff. A Gibson ES175 would be too big. A few years ago, I sold a Gibson ES 125TC. Probably a mistake. Also sold a Gibson ES135...
This is definitely not the case. Guitar players invert all the time. The chords will not often be close-voicings because they’d be unplayable, but guitarists play inverted and rootless chords more...
I play my 76 ALL THE TIME acoustically.
It’s not jumbo or a dreadnaught loud, but it’s certainly not dead. In fact it’s very much alive and its my baby.
JD
Who’s that fat bastard trying to play that beautiful guitar?
I remember that day. I had shingles and I was in massive pain.
That was like 60lbs ago. Man I was a load!
MG, we’ve talked about this...
Hmmmm……I’ve played several from the ‘60s that were quite good acoustic guitars, not loud mind you, but decent volume with great, balanced tone from high to low. I’ve found everyone I’ve tried made...
Looking for a "jazz box"
Today, 09:57 PM in Guitar, Amps & Gizmos