Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
I will kindly point out that it is the EU that forces you to pay VAT but I love you none the less :))
The seller is a top guy and a great player who unlike myself, is a real professional...
How about this: on my Epiphone Lucille, with a decent semi-hollow tone that rivaled my buddy's '64 ES 345 with stock p/ups,
On the gig, the pickups didn't cut through. So, I put a 57 Classic +...
+1000000 on the wedge.
I've also given EQ tips for people who prefer a more fender sound. Also have tried pedals with it to give it more tube like response. I'm a huge fan of the Bud6. I don't...
Thanks for the opinions. You guys are making me think perhaps a Deluxe Reverb Tonemaster would be the cure for the playing live dilemma. It does have a line out, so if I wanted to plug into the PA......
What comes of decades of “noodling”?
Today, 06:50 PM in Improvisation