Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
This reveals another gap in my knowledge. How are chord patterns crafted?
I know about a few devices:
1. different inversions
2. harmonized scales
3. tritone subs
4. sequences I've heard...
The sheets of sound comparison makes sense, he's hugely into Coltrane. But more so the harmonic stuff, rhythmically he's often pretty locked into 8th notes. But that's part of what makes his...
In the acoustic flat picking world many of us use a larger triangle shape pick (see below) with a thickness of 1.25mm and up. But when playing electric I (and others) almost always go to 351 shape...
Holy Moley! That's a fascinating story, and it all checks out in the book about him I'm reading. He was treated as God in DC, so it doesn't surprise me how his rabid fans treated you. From all...
Dang. Yeah that’s super hip.
I really enjoy these sounds and I’ve heard him talk before about similar things with triads, like chaining together arpeggios (maybe over a C, you could play an E...
Here's laminated spruce top, lam maple back & sides, 5-piece maple neck, and ebony board in 175-sized object
https://www.youtube.com/watch?v=KPsrJyu5C40
Sort of. If a single chord becomes a chord pattern, then the question becomes what types of chord patterns work well in that harmonic context. The avoid note of the original chord now is not heard...
Even the heaviest baritone sets (eg 16-70) generally seem to come with a plain 2nd string (tuned to F# or E ?) of max. 22 gauge, the exception being some Newtones, apparently (22w). But the 2nd...
So, the idea is that the chart says, say Cmaj7, but somebody is going to play Cmaj7, A7, D7 (or is it Dm7), G7. So, the avoid note in C is an F, which occurs in the G7. Since the F is contained...
Joe Pass was a fan of Danny Gatton, I hadn't heard of him before he mentioned him (right after Gatton's first album was released).
Re: the topic of this thread.... If I wanted to illustrate the...
Pick shape/size
Today, 08:15 PM in Guitar, Amps & Gizmos