The Jazz Guitar Chord Dictionary
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  1. #26

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    Thanks christian and mr. b for your comments! Christian, I find myself appreciating your prescence here a lot recently, what with the tea for two recording and now these time exercises! (christian put up a killer take of tea for two, you can find it in the songs section)

    Quote Originally Posted by matt.guitarteacher
    You are unrelenting lately with comments on others playing. The truth is that you simply don't have good enough time to comment so much on other player's time, especially in direct CONTRADICTION to players who are far superior to either of us. You are apparently inferring the wrong message from others' graciousness and restraint regarding your own playing posts.
    I appreciate ragman's comment and I try to give value to all feedback I receive. I enjoyed his recordings! I'm really glad that some of the super skilled folks had good things to say about my recording, but I'm quite sure they know - as do I - that there are things to improve there! But in their case, I'm inclined to think the best way to learn from them is to just listen to their recordings, try to stuff as much as you can in your pockets and run away!

    @ragman - when the tempo drops a little, I do find myself instantly feeling a lot more comfortable, and at first, yes, I was considering putting up a slower take. But I think that's not the approach I should be taking. I've resolved to continue hacking away at this tempo until I nail it. And conversely, I need to work on playing the head nicely at a slower tempo - which, try as I might, I wasn't able to do for some reason.

    Here's my version of the famous Parker parable - I went to a jam a year ago, asked for There Will Never Be Another You and they said ok. Now I was comfortable playing it at a medium tempo. But these guys just went in like Clifford Brown was on the bandstand! And there I was, a sitting duck caught in the crossfire. To this day, it was one of the most embarrassing things that I have experienced. Nobody threw a cymbal at me(I could swear the drummer was considering it!), but everybody on the stand and sitting at the bar knew I had messed it up bigtime. So one of the things I resolved to do was work on my technique and facility at all tempos.

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    The Jazz Guitar Chord Dictionary
     
  3. #27

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    Quote Originally Posted by pushkar000
    @ragman - when the tempo drops a little, I do find myself instantly feeling a lot more comfortable, and at first, yes, I was considering putting up a slower take. But I think that's not the approach I should be taking. I've resolved to continue hacking away at this tempo until I nail it. And conversely, I need to work on playing the head nicely at a slower tempo - which, try as I might, I wasn't able to do for some reason.
    Thanks. Playing very fast and playing very slow are both tricky and I admire your determination. Actually quite a few artists have recorded How High at a medium pace and it was a song originally, of course. But I'm sure you know all that. But all the best anyway, I'm certainly no boy racer myself :-)

  4. #28

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    Quote Originally Posted by ragman1
    Thanks. Playing very fast and playing very slow are both tricky and I admire your determination. Actually quite a few artists have recorded How High at a medium pace and it was a song originally, of course. But I'm sure you know all that. But all the best anyway, I'm certainly no boy racer myself :-)
    I particularly like the medium/slow version on Chet Baker's "Chet" album.

    This is one of those tunes that works at a variety of tempos though...the lyrics allow for it too...it can be wistful or bubbling with the energy of love returned (if you assume that's what happens in the end). Not a lot of tunes allow for that.

  5. #29

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    Quote Originally Posted by mr. beaumont
    I particularly like the medium/slow version on Chet Baker's "Chet" album.

    This is one of those tunes that works at a variety of tempos though...the lyrics allow for it too...it can be wistful or bubbling with the energy of love returned (if you assume that's what happens in the end). Not a lot of tunes allow for that.
    What did you think of the Sonny Rollins/Barney Kessell one (once it gets off the ground!)?

  6. #30

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    Quote Originally Posted by ragman1
    What did you think of the Sonny Rollins/Barney Kessell one (once it gets off the ground!)?
    Excellent, I'm admittedly a biased fan--I'll listen to anything Rollins plays...such a giant. A colossus, even.

  7. #31

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    Thanks for the help Mr. B. I think I have it now.

  8. #32

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    There it is! Sounding good. I like how you do the melidy, and how you go after some motifs/development in the solo.

  9. #33

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    There is a fast and optimistic version:

  10. #34

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    SO much serious stuff happening here, wow, that is the song I love really.

    Before making my own version I did my tribute to the Great Figures of Jazz. Some flaws in playing as well as in the score. Anyway I can share pdf with everyone interested. C&C welcome.

    PS: This one chorus taught me a lot about triplet subdivisions if you know what I mean

  11. #35

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    Ha! I'm posting one mid-month for a change (rather than being late)!

    http://www.noiseinthebasement.com/mp...0Moon%2000.mp3



    I think Gramps beat me to the chordal interpretation of the head.

  12. #36

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    Quote Originally Posted by M-ster
    Ha! I'm posting one mid-month for a change (rather than being late)!

    http://www.noiseinthebasement.com/mp...0Moon%2000.mp3



    I think Gramps beat me to the chordal interpretation of the head.
    Nice playing and a very good quality recording.
    Guitar sounds very clear and jazzy warm.Nice to hear...
    Best
    Kris
    have you more takes?

  13. #37

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    Quote Originally Posted by M-ster
    Ha! I'm posting one mid-month for a change (rather than being late)!
    ... the chordal interpretation of the head.
    That chordal part is real piece of beauty.

  14. #38

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    Quote Originally Posted by M-ster
    Ha! I'm posting one mid-month for a change (rather than being late)!

    http://www.noiseinthebasement.com/mp...0Moon%2000.mp3



    I think Gramps beat me to the chordal interpretation of the head.
    Gramps may have played the CM head but not with that harmonic richness. Great job.

    Edit:I just listened 4 or 5 more times. Really nice.
    Last edited by Gramps; 11-18-2017 at 07:17 PM.

  15. #39

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    Quote Originally Posted by M-ster
    Ha! I'm posting one mid-month for a change (rather than being late)!

    http://www.noiseinthebasement.com/mp...0Moon%2000.mp3
    Love the chordal intro M-ster! Great swing, I doubt now if I should post my version but.... never mind.
    It's a pity you decided to continue with those lame midi sounds



    So here it goes:

  16. #40

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    Quote Originally Posted by Tomcat
    Love the chordal intro M-ster! Great swing, I doubt now if I should post my version but.... never mind.
    It's a pity you decided to continue with those lame midi sounds



    So here it goes:
    Sounds OK and nice playing.Comping for my taste is a very simple...sugest more chord voicing,more walking bass with chords.
    kris
    Ps.
    Tomcat,
    I sugest to you made studio recording for free with not so "lame midi sounds"...I mean recordings with bass and drums.
    Last edited by kris; 11-20-2017 at 04:21 AM.

  17. #41

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    As Usual, M-Ster, your version reflects your love of jazz guitar and is always very tasty and a treat for my old ears.

    wiz (Howie).

  18. #42

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    Quote Originally Posted by wizard3739
    As Usual, M-Ster, your version reflects your love of jazz guitar and is always very tasty and a treat for my old ears.

    wiz (Howie).
    Thanks, Howie, you're too kind.

  19. #43

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    Quote Originally Posted by M-ster
    Ha! I'm posting one mid-month for a change (rather than being late)!

    http://www.noiseinthebasement.com/mp...0Moon%2000.mp3



    I think Gramps beat me to the chordal interpretation of the head.
    Great playing as always, thanks!

  20. #44

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    Is it too soon for one of the contrafacts? This is Lennie Bird:

    http://www.noiseinthebasement.com/mp...0Bird%2000.mp3

  21. #45

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    Quote Originally Posted by M-ster
    Is it too soon for one of the contrafacts? This is Lennie Bird:

    http://www.noiseinthebasement.com/mp...0Bird%2000.mp3
    I can only assume the missing letters in your account name are "o" and "n". This one will take me a bit longer to digest. Thanks for posting.

  22. #46

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    Quote Originally Posted by Gramps
    I can only assume the missing letters in your account name are "o" and "n". This one will take me a bit longer to digest. Thanks for posting.
    Ha! You're much too kind, and in no way is that anywhere near true.

  23. #47

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  24. #48

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    Quote Originally Posted by kris
    Ps.
    Tomcat,
    I sugest to you made studio recording for free with not so "lame midi sounds"...I mean recordings with bass and drums.
    I prefer to use backing tracks or live loops because it does not kill "live feel" as much as midi parts. You can make also a great midi parts but it takes hell of wotk and time. And yes, today there are so many rehearsal rooms for hours, some with really good acoustics. It's not free but in my area Wroclaw, Poland you can rent at 8EUR/h and make a nice recording

    It struck my ears - a huge contrast between beautiful, truly jazz guitar sound and simple midi sounds coming in later.

  25. #49

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    Quote Originally Posted by Tomcat
    I prefer to use backing tracks or live loops because it does not kill "live feel" as much as midi parts. You can make also a great midi parts but it takes hell of wotk and time. And yes, today there are so many rehearsal rooms for hours, some with really good acoustics. It's not free but in my area Wroclaw, Poland you can rent at 8EUR/h and make a nice recording

    It struck my ears - a huge contrast between beautiful, truly jazz guitar sound and simple midi sounds coming in later.
    Czesc Tomek,
    I suggest all of us to play with reall jazz musicians.It is the best way to present our work,feel and sound but I know also reality...
    This thread is rather funny place that make happy of us and made motivation for the future.
    Jazzingly Yours
    Kris

  26. #50

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    Not everyone here seems to have the opportunity to play with other jazz players...