20 Ways To Comp A II V I

**Dirk** · 02-06-2009, 08:38 AM

All your questions about Matt Warnock's lesson 20 Ways To Comp a II V I

**trtjazz** · 02-06-2009, 09:01 AM

Great lesson thanks

**wizard3739** · 02-06-2009, 11:02 AM

Matt, One of my students is a Rock/Blues keyboard player. I have been trying to teach him how to comp for a singer or a jazz lead instrument. The lesson will be VERY helpful for him. In particular, the voice-leading aspect of the lesson is excellent! Thank you very much.

wiz

**m78w** · 02-06-2009, 11:29 AM

Thanks guys for checking out the article, glad it was helpful!

MW

**TWINSOUL2** · 02-06-2009, 12:02 PM

This lesson is right on time! Defenitley owe you a beer.
Thanx, Dave

**Stephan** · 02-06-2009, 12:13 PM

Great lesson

thanks ;-)

**a22** · 02-06-2009, 12:21 PM

Wow, what an immense lesson, thank you so much Matt. I've been digging through these for the last 30 minutes or so. So many great voicings, some sound pretty exotic. Imagine comping a long tune with many II-V-I-VI:s with all of these variations, that would be great

**m78w** · 02-06-2009, 12:27 PM

A22 glad you dug the lesson and are finding practical applications for the material!

MW

**mr. beaumont** · 02-06-2009, 01:02 PM

really nice lesson matt--i picked up quite a few new ideas.

**wordsmith** · 02-06-2009, 02:43 PM

.......worthy of deep study. Many of the mysteries (to me at least) of chord substitution are revealed here. A lot of thinking need to unravel everything, but what's here seems to be VERY important.

PS How much is a large Stella Artois in Belgium these days?

**radisson** · 02-06-2009, 03:52 PM

matt this lesson rules my fiend

rob !

**skei** · 02-06-2009, 06:36 PM

Great as usual, now it's only to dig in, as it were!
Peace
Skei (the lone ranger one)

**NSJ** · 02-06-2009, 07:10 PM

Very cool, Matt, thanks a ton for your work on this. I'm definitely gonna check these exercises out in detail when I get home.

**Sailor** · 02-06-2009, 11:53 PM

Right on Matt - Take me a while but I'm gonna dig it !!!!!!!

Sailor

**Stackabones** · 02-07-2009, 10:25 AM

Great stuff!

**yorg** · 02-10-2009, 10:37 PM

as always,from matt a great lesson.
yorg

**m78w** · 02-10-2009, 10:45 PM

Thanks Yorg, glad you dug the lesson.

MW

**fep** · 02-11-2009, 11:43 AM

Wow Matt, amazing lesson. Thanks for all your generosity, you've given me (and others) enough material to keep me busy for years.

**m78w** · 02-11-2009, 01:46 PM

My pleasure Fep, glad you dug it.

MW

**optics22000** · 02-13-2009, 07:38 AM

Great lesson, interesting sounds and good progression from simple to not simple. I'll be working with these for a while.
My question: I just bought Band in a Box: how do I turn off everything except drums and bass, as you suggest?
It's a cool program, and has a huge number of features. Finding the one you want can be a chore.

Elliot

**m78w** · 02-13-2009, 10:42 AM

Glad you dug the lesson, thanks for checking it out.

To mute an instrument in BIAB, just right click the instrument name, located at the top of the screen. Then when the box pops up, click mute. That should do it.

MW

**mangotango** · 02-13-2009, 12:22 PM

Matt,

One of these days when I'm in the US on business, I'm going to make sure that the Mid-West is on the itinerary; if I can work that, you better expect a call from some random English guy for a lesson. It'll be me.

Thanks so much for what you do on here, you really are a huge help.

**m78w** · 02-13-2009, 12:25 PM

Glad you dug the lesson, hope we can hang someday!

MW

**604bourne123** · 04-28-2009, 10:59 PM

thought i would place my tick too,finally the 1625 progression is liberated the end progresion is so different and far away from the original that it is unbelievable thanks m.w.