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Sitting down with a pen and paper and mentally creating usable chord grips with roots on each string. Then running them through the cycle of 4ths until my kids threw something at me. Then applying...
Yes, I've often wondered if "Hristo Vitchev" has had any finger/hand problems due to his stretchy technique. He's a great player.
I am still discovering so many aspects I can improve or learn on both hands that I cannot possibly say one is better than the other for at least one more lifetime. Current challenge is to activate...
If you've wondered how Allan Holdsworth approached recording the songs on "None Too Soon". Devil Take the Hindmost, The Otherworldly Music of Allan Holdsworth: 21: With a Heart in My Song, None...
https://www.youtube.com/watch?v=DKv9A-HV-Mc
Oh I don't know, I see quite a bit of poor left hand technique even in some very accomplished players. Here's a horror from my YouTube feed. (TBF the camera angle is probably making it look...
On an electric guitar, there is most certainly a difference. But, If you are playing through a ton of distortion, almost nothing matters that much. It’s all on the verge of being squashed into a...
First of all my playing hasn't improved exponentially haha. I would say I'm not sure at my core I'm playing differently to the way I did ten years ago. But if I had to say the one thing that I...
this might sound harsh to say, but it certainly closer to the truth than not. Guys who refuse to work on SS amps, at least old ones like a poly, aren’t real service technicians. there are guys...
just about every polytone Schematic is posted free numerous places online. Just Google polytone schematic. there may be some oddball models, or perhaps some of the newer amps, that would be...
If I could only do one thing, and wanted to get the most from my time, I’d play rhythm changes. There just a ton of raw material in there to work on, and if you do it musically, it’s directly...
Repeatedly playing exercises, over and over and over again. I'm talking about many, many hours, days, weeks, months of repeatedly playing the same ideas until they appeared in my playing. ...
If I don't bother my picking hand, it does not bother me. If I ignore my fretting hand, it demands attention.
Every time I notice something bad about my sound, it's the picking hand. Every time I think of something I need to master on the fingerboard, it's the fretting hand. So I guess it's the head in...
Your biggest bang-for-the-buck thing to do in the...
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