The Jazz Guitar Chord Dictionary
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  1. #826

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    Quote Originally Posted by A. Kingstone
    Middle 4 Strings - Drop 2

    ...
    6 - AEDC
    .....1312 ...
    Probably should say G, instead of D?

  2.  

    The Jazz Guitar Chord Dictionary
     
  3. #827

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    Quote Originally Posted by Squirrel

    1- CGAE
    2314
    First grab dim chord shape,
    Db G Bb E
    2 . 3 .1 . 4

    Then stretch/slide 2 and 1 back one fret.

  4. #828

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    Quote Originally Posted by Vladan
    Probably should say G, instead of D?
    Yep

  5. #829

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    “8 7 6” phrases

  6. #830

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    Thanks. Which changes did Barry Harris play during his solo on Moose The Mooch?

  7. #831

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    Rhythm changes?

  8. #832

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    Quote Originally Posted by rintincop
    “8 7 6” phrases
    LOL. I know about the 5432 phrases but what is this? Related to 5432 or something else?

  9. #833

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    Sorry I wasn't more clear. I meant which version of rhythm changes chords was Barry doing during Moose, particularly bars 5-8.

    For example, bars 5-8 , "old school" walk up style:

    | Bb Bb7/D | Eb Edim | Bb/F G7 | C-7 F7||

    Or, was Barry thinking the later, more cyclical path for bars 5-8:

    | F-7 Bb7 | Eb Ab7 | D-7 G7 | C-7 F7 ||

    Of course it can go either way. I know Milt Jackson, Oscar Peterson and Ray Brown like the first way, old school.

  10. #834

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    Quote Originally Posted by NSJ
    LOL. I know about the 5432 phrases but what is this? Related to 5432 or something else?
    There are the 5432 embellishment phrases... so there also should be similar embellishments for the 876. Simply extrapolate upon them.

  11. #835

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    Quote Originally Posted by rintincop
    Sorry I wasn't more clear. I meant which version of rhythm changes chords was Barry doing during Moose, particularly bars 5-8.

    For example, bars 5-8 , "old school" walk up style:

    | Bb Bb7/D | Eb Edim | Bb/F G7 | C-7 F7||

    Or, was Barry thinking the later, more cyclical path for bars 5-8:

    | F-7 Bb7 | Eb Ab7 | D-7 G7 | C-7 F7 ||

    Of course it can go either way. I know Milt Jackson, Oscar Peterson and Ray Brown like the first way, old school.
    Well Barry boils everything down to

    Bb | F7 | Bb | F7
    Bb7 | Eb7 | Bb | F7

  12. #836

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    Quote Originally Posted by christianm77
    Well Barry boils everything down to

    Bb | F7 | Bb | F7
    Bb7 | Eb7 | Bb | F7
    one thing I remember from Barry's classes is that he never plays a G7 on the first bar, he was always insistent that he reserved this color for the 3rd bar, so the tune moves someplace different instead of repeating. He doesn't really seem to play a G7 in his right hand in the last 2 bars.

    In the solo I posted he gets most of his mileage out of anticipations or delays (like going into the bridge), as opposed to chord subs. He's pretty by the book on this version in terms of changes.

  13. #837

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    Long time Barry Harris student, tremendous teacher Howard Rees podcast.

    Catalyst of The Barry Harris Workshop Videos, We Are One concerts and Jazz School Online .

    Good interview provides some clarity regarding Barry's method.

    Last edited by A. Kingstone; 08-17-2019 at 12:03 AM.

  14. #838

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    Quote Originally Posted by christianm77
    Well Barry boils everything down to l

    Bb | F7 | Bb | F7
    Bb7 | Eb7 | Bb | F7
    Ah, but of course, thanks for reminding me. Does he treat the 2nd ending of the A section the same? And the turn around of the 3rd A section after the bridge?

  15. #839

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    Bb Up and down right christian?
    Last edited by A. Kingstone; 08-16-2019 at 10:12 PM. Reason: de-capitalization

  16. #840

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    Yeah the changes in the solo look to be the simple ones with a lot of anticipations etc.... one oddity is the G7 arp going into the Bb7 scale.... you could see that as brothers and sisters.

    Other than that he doesn’t play the G7 at all? This is similar to many Parker solos.

    Also Eb7 in bar 6 and on the last A Ebmaj7.

  17. #841

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    Quote Originally Posted by A. Kingstone
    Bb Up and down right christian?
    Not following?

  18. #842

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    Quote Originally Posted by christianm77
    Not following?
    Rintin's question about scale outline on RC. I'm pretty sure Bb up and down going into the bridge but can't remember bar 31-32. Same I think.
    Last edited by A. Kingstone; 08-17-2019 at 09:50 AM.

  19. #843

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    Quote Originally Posted by A. Kingstone
    Rintin's question about scale outline on RC. I'm pretty sure Bb up and down going into the bridge but can't remember bar 31-32. Same I think.
    Oh I see. Yes that would work.

  20. #844

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    So, A2 and A3 turnarounds (Bb for 2 bars):
    A1
    | Bb | F7 | Bb | F7 |

    | Bb7 | Eb7 | Bb | F7 |
    A2
    | Bb | F7 | Bb | F7 |

    | Bb7 | Eb7 | Bb | Bb |
    B
    | D7 | D7 | G7 | G7 |

    | C7 | C7 | F7| F7 |
    A3
    | Bb | F7 | Bb | F7 |

    | Bb7 | Eb7 | Bb | Bb |



  21. #845

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    Look who came by Barry's class this week!
    (Photo by Richie Vitale)

    Official Barry Harris Thread-68865236_10156064589666862_2900601756717154304_o-jpg

  22. #846

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    Lee Konitz!
    Last edited by A. Kingstone; 08-21-2019 at 06:26 PM.

  23. #847
    Is that Tom Hanks?

  24. #848

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    That's Lee Konitz in blue. The gentleman leaning on the piano is pianist Michael Weiss - his credits are a who's who of bop and modern jazz.

  25. #849

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    My 876 phrases, extrapolated from 5432 phrases.

    8#237
    7b7#56
    624b634#45
    Last edited by rintincop; 09-07-2019 at 01:29 AM.

  26. #850

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    I do hope that these few Vid-Clips of… Barry Harris can be of some ..music-help.,!!.